정두경 가행(歌行)의 형식미 연구

Abstract

Jeong Du-Gyeong(鄭斗卿) was a poet representing the 17th century and prominent person in the study of Chinese classics in Korea. He had left plenty of Ga-Haeng(歌行) works, writers in the late Chosun acknowledged the excellence of his Ga-Haeng. This paper analysis on real of Ga-Haeng creation of Jeong Du-Gyeong in the sides of 'change' and 'connection'. This is why the excellence of his works came from not only distinction in thoughts and the subject but also the methods As a result, in the use of rhyme he delivered the subject effectively through changes of rhyme and rhyming interval. In the process he made constant changes in poem's rhyme rather than followed set patterns. These changes make readers feel the beauty of change in harmony with contents and atmosphere. In the use of verse form he used verse forms with five words in the beginning frequently. It plays a role that triggers curiosity or gives hints on what is going to happen. He also used verse form with nine words in the middle when he wants to emphasize specific contents such as features, region, things and understanding. He exserted verse forms with five words in the middle abruptly for the changes of poetic concept. In addition, he emphasized subjects by using long verses of question in the end. On the other hand, there are many variations on intonation in his Ga-Haeng such as tension and relaxation, the reversal of situations, praise and criticism, emotional ups and downs. there are both to emphasize latter half of poem, and the whole of poem. On the other hand, he considered the connections of poetic concept. Thus he made various instruments for connection. He made a paragraph of connection, and combined image of similarity between two things, used same word in same position, connected preceding paragraph through use of 'Cha(此)' word, and made use of correspondence(照應) or SeonRyeonChe(蟬聯體). This various connecting methods tend to be used compositely rather than individually