芝川 詩의 修辭運用

Abstract

This thesis reviewed distinctive rhetorical management that can be described in the Jicheon’s poetry meaningfully, and aimed to investigate the alternation between content and form. Jicheon Hwang Jeong-uk is the last master of the haedong-gangseo poetry group, and his poetry may be the outcome that the tradition of learning the Chinese Sung Dynasty’s poetry grew in the Korean Joseon Dynasty. Characteristics of Jicheon’s poetry, especially the rhetorical characteristics may be summarized into 4: management of irregularity, training of word-formation, using an informal term as a poetic word, and developing Tu Fu’s poetry. Through this management of this rhetoric, Jecheon attempted to secure the poetic sense of beauty. ‘Hasamcheuk’ was paid attention in the ‘management of irregularity’. As the main style of Jicheon’s poetry can be summarized as ‘depression’, it was found that ‘Hasamcheuk’ was effective as the rhetoric to express the writer’s uncomfortable and deprived feelings. ‘Training of word-formation’ was the characteristic of the gangseo poetry group that had displayed a tendency of the prose versification and of the haedong-gangseo poetry group that had learned the former, which was discussed in this study related to “Yeonjusigyeok”, a book of prosody written in Chinese Yuan Dynasty, widely read from the early Joseon Dynasty. Haedong-gangseo poetry group positively used informal terms such as original place names of Joseon as the poetic words, which was poetics of the gangseo poetry group, and contributed greatly to forming poetic style of Joseon; this was investigated in Jicheon’s poetry. Tu Fu acted as the inspiration and a classic for Jicheon in making poems. He reflected his sense of identity especially through Tu Fu who had been deprived, and this study investigated quotes from Tu Fu’s poetry, appearing in the Jicheon’s poetry after Japanese Invasion of Korea in 1592.