군웅신의 배치와 제주 무가의 지정학적 정체성: 박봉춘 본 <군농본푸리> 재론

Abstract

The shamanist narrative songs express the identity and ideology of the group that shares the song and story. Jeju's Gunwoongbonpuri expresses a not simple geopolitical identity. Gunungbonpuri is narrated before the ancestral god Bonpuri in the ceremonial turn of Jeju Gut. Gunung god is a form of the Ilwol (symbolic) ancestor, and the Ilwol ancestor symbolizes the identity of the group. Therefore, through the Gunungbonpuri, we can gauge the geopolitics of the Jeju’s Gut-community. Gunungbonpuri dictates the longitudinal genealogy of Gunung god. Hwanwoongjeseok of Gojoseon or General Wang which symbolizes the Goryeo royal family are placed at the paternal line of Gunung god. In the grandparents' line, Buddhist gods such as Cheonwangjeseok and Jiwangjeseok are placed, and Taoist gods such as Cheongung the Great and Okgye the Great are placed. Through this longitudinal genealogy, it is revealed that Jeju Gunung god is continuous with the sacred genealogy of the Korean Peninsula. This is an expression of the self-consciousness and strong pride of Jeju's Gut-community. In this process, Park Bong-chun's Gunnongbonpuri is also formed. Like the founding myth of King Taejo of Goryeo was accepted through Park Bong-chun's version, the geopolitical narrative that General Wang create the Gunung god through a coalition with the East Sea Dragon King. The extended story that Jeju must unite with the power of the sea around Jeju island is formed. The geopolitical identity of Gunungbonpuri is also expressed as a transverse systematization of Gunung god. Gunung god, which appeared in the sacred genealogy of the Korean Peninsula, incarnates himself in the request of Gut ritual. Gunung god plays as a emperor-gunung in China, and as a filial son- gunung in Japan. This forms of Gunung reveals the feelings and perceptions of the Jeju's Gut-community toward China and Japan, and shows a friendly attitude toward overseas power. However, emotions and perceptions of “our country” are diverse and complex according to metamorphosises. The statement that Korea is a rebellious subjects-gunung expresses anti-China and anti-Japanese, Hwangja-gunung expresses a kind of pride, and Daewangdaebeeseodaebee expresses ratification of the Joseon Dynasty's power. Furthermore, the identity of Gunung god becomes more complicated when the various aspects of Gunung god are all merely metamorphosises of Gunung god, the youngest son of General Wang who became a monk. The Jeju’s Gut-community's emotions and perception for relationships with the three countries abroad is multi-layered and variable.