제주도 본풀이와 놀이의 상관성 -본풀이와 굿놀이의 연계양상과 유형을 중심으로-

Abstract

The guts of Jeju Island have complex and diverse formats but basically can be summarized in three components of Puri, Maji, and Nori, among which Bonpuri and Nori are performed in correlations in guts. Therefore, there is a need to find their functions in guts by sorting out and understanding the ways they connect to each other. The 17 Bonpuris performed on Jeju Island are examined according to their positions and recitation styles in guts. The Bonpuris have three recitation formats, which include independent procedures as part of recitation formats or certain procedures, a part of formats or ceremonies with independence, and devices to provide foundations for ceremonies. The 13 Gutnoris of the island can be categorized into the ones performed in large guts and the ones performed in independent services with special objectives. Some of the Gutnoris are closely connected to the Bonpuris that fall into the third recitation format. The connections between the Bonpuris and Gutnoris evolve around the connectivity between Puri and Nori in actual guts, the same identities of main characters in Puri and Nori, and the same names between them. Among them, seven Bonpuris and eight Gutnoris have three types of connections, which are a) independent, b) parallel, and c) single body type. The independent type presents the world view of pursuing unity between the sacred and the worldly; the parallel type presents the world view of separating the sacred from the worldly, dreaming of harmony between gods and humans that do not interfere with each other; and the single body type presents the world view of seeking out coexistence of the sacred and the worldly. Being very important components of gut performance, Bonpuri and Nori claim certain value as independent elements and hold a highly important place as a device to properly control the worlds of gods and humans through connections.