만주국　선계　문학인의　문학　담론　특성　연구：『만선일보』　게재　문학　담론을　중심으로

Abstract

The purpose of this article is to examine the characteristics of the literary discourse of the Manchu-Korean writer. Mansun Ilbo comprehensively shows the discourses of literary men on the aspects, forms, and methods for the construction of Seongye literature. The Manchu-Korean literature proposed by them was aimed at building the journalism and the kukminmunhak, which inherited the literary tradition of colonial Joseon and revealed the characteristics of Manchukuo. However, unlike this goal, the reality of the Seongye literature in Manchukuo remained at the level of blindness. Nevertheless, the Manchu-Korean writer expressed his strong desire for the construction of Manchukuo Joseon literature as a literary discourse. With the power of literature, I tried to raise the cultural motivation of the Manchu-Korean people and to establish the independence of the Manchu-Korean literature itself. Despite the continuous influence of Emperor-system fascism, the dominant ideology of Manchukuo, the construction of the Manchu-Korean literature was planned. It was an effort to internalize the ideology of Manchukuo, which was a multi-ethnic nation, and to establish a new logic for the cultural aspect of the people of Manchukuo. From a microscopic point of view, it is a discussion on how to set up Manchukuo literature and how to implement creative methods. Nevertheless, there has been little review of their literary discourse in the study of Manchukuo Zen literature. Therefore, this article examines the literary discourse serialized in Mansun Ilbo and analyzes what was the logic of internalizing the GukChauk by the literary men of the lineage of Manchukuo and what was the specific plan for creating the work by applying it. During the process of this review, the characteristics and characteristics of the discourse of literature in Manchukuo can be clarified because literary discourse directly or indirectly accepts external discourse in any way. This study is significant in that it reveals how the fundamental aesthetic consciousness of the Manchu-Korean writer is connected and separated with the ideology of the literary man of colonial Joseon or the Manchu-Japanese literary man.