단재를 중심으로 본 한설야의 <열풍>－한설야의 <열풍>論

Abstract

This study intended to introduce Han－Sul－Ya’s novel “Yeul－Poong”(熱風) and investigated the novel’s meaning in relation to Shin－Chae－Ho. Yeul－Poong, which is based on the experience of Han－Sul－Ya in Peking in 1920’s, was written in 1944 when he was in his hometown “Ham－Heung” and published in Pyeong－Yang in 1958. Therefore this novel shows each characteristic of the author in 1920, 1944 and 1958. In terms of Narrative, style and his Peking travel essays, 1958’s characteristic of the author outweighs 1944’s as a narrating self. Yeul－Poong(熱風), a bildungsroman, took “Son－Bin”’s national socialism as its core. Son－Bin in the novel is a character modeled after Shin－Chae－Ho. Son－Bin’s influence on the novel is so absolute that it affects even the theme and structure of the novel. However, Son－Bin is not equivalent of Shin－Chae－Ho because Shin－Chae－Ho at that time was not such a communist as Son－Bin in the novel. Son－Bin shares the view of Han－Sul－Ya “Pyeong－Yang－centricism” regarding the national split. Peking is very important factor in understanding of Han－Sul－Ya. Peking was distinguished place from Shanghai where leaders of national independence movements with the doctrine of diplomacy was based. The leaders of national independence movements in Peking shared anti－provisional－government and insurgency principles. Especially, Shin－Chae－Ho, who is the thought of Yeul－Poong(熱風), was the brave general that kept anti－Lee－Seung－Man and anti－provisional－government principles. Peking was also a place where left－wingers were active. This aim of the author’s ideology played a key role in his literature consistently. The one of the themes of Yeul－Poong(熱風) is the solidarity with China. This theme and Shin－Chae－Ho’s Korea and China Union Assertion have similar characteristic. The representation of Chinese people in the novel is far different from awareness of colonialism which was found in Korean intellectuals in the period of Japanese imperialism. The novel recognized that the interest of Korea and China which was against the invasion of Japan went together. This recognition was also found in his 1904’s Peking travel essays. This could be related to Korea and China Union Assertion advocated by Shin－Chae－Ho in “Chun－Go”. Because of Son Bin’s advent, the love－relation of intellectuals, which was one of the basic narrative structures of Han－Sul－Ya’s full length novels, changed greatly. The summarization of relationship of lovers in his novel in Japanese imperialism is that the subject of growth is always women whose awakening is intermediated through men. In contrast, “Sang－do” and “Nam－hyang” in Yeul－Poong(熱風) were depicted as ideologists in equal relationship. They maintain and keep equal relationship as disciples of Son－Bin rather than the man lead the woman. The ultimate goal of love relationship was only to identify the ideology of Son－Bin latent in their insides. Yeul－Poong(熱風), an autobiographical novel, has both experiential self and narrating self and narrating self overshadows experiential self. In Yeul－Poong(熱風, the awakening process of the main characters is not exposed. The reason is why main characters are ideologically perfect from the beginning. For example, Sang－Do became able to identify the value and limit of different leaders of Independence sine he arrived at China. Ha has right internationalism and national consciousness. His national consciousness contains class partiality. However, these also caused several aesthetic problems in the novel.