한설야 소설의 개작 양상 연구

Abstract

A Study on the Process of Revision in Han Sul-Yas Novel; Lee,Kyung-JaeThis paper aims to examine the proces of revision inHan Sul-Ya’snovels with an emphasis on the narative contents and the forms of expresion. The changes made in the narrative contents are characterized by strengthening of anti-Japanese consciousness, the idealization of the people, the emphasis on the purity of lineage, the ossification of socialist love, and the intensification of relations betwen masters and pupils. We can witness the increased anti-Japanese consciousness in Tap(塔; the Pagoda) , Cheongchungi(靑春記; Youth Record) , Chohyang(草鄕; Cho-Hyang) and Hwanghon(黃昏; Dusk) , the emphasis on the purity of lineage in Tap(塔; the Pagoda) , Cheongchungi(靑春記; Youth Record) and Chohyang(草鄕; Cho-Hyang) , the idealization of the people in Tap(塔; the Pagoda) and Hwanghon(黃昏; Dusk) , thechange related to socialist love in Tap(塔; the Pagoda) and Cheongchungi(靑春記; Youth Record) , and the change related to Kim Il-Sung in Chohyang(草鄕; Cho-Hyang) . The changes in the forms of expresion can be characterized by the increase in the arguments. Tap(塔; the Pagoda) is distinctive in that it has tales, folk songs, exorcism songs and children’s songs andthe continual use of proverbs, idioms, native tongue, onomatopoeia and mimetic words. Han Sul-Ya was one of the prominent revisionists in his time. His strong pride of himself as a member of KAPF in the colonial era kept him revising his previous works until he was purged by the North Korean literary circle.