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存在的焦虑:高行健的《一个人的圣经》与米兰ㆍ昆德拉的《不能承受的生命之轻》互文对话

The Presence of Anxiety: The Intertextual Dialogue of Gao Xingjian’s One Man’s Bible and Milan Kundera’s The Unbearable Lightness of Being

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This paper explores the meaning of life and existence by analyzing the dialogue in Gao Xingjian’s One Man’s Bible and Milan Kundera’s The Unbearable Lightness of Being. Roland Barthes deems that every text holds intertextualness in various forms with different presentations. Eliot comments that the literature writers should observe literature in historical contexts of which in order to get more inspirations. Gao and Kundera convey existentialism in a multidimensional space. However, the themes expressed in Kundera’s The Unbearable Lightness of Being are less transparent and meaningful than Gao’s One Man’s Bible. The Unbearable Lightness of Being encompasses the life of a few individual characters and introduces philosophical thoughts through their choices of life. For example, the reminiscence of the past, custom rituals, oblivion and the co-incidenceness of time are analyzed. However, Gao’s One Man’s Bible depicts the turmoil in Cultural Revolution, which has been experienced by different parties, but not a single individual. Although both Gao and Kundera have inherited the core philosophies of Sartre’s existentialism, Gao opposes to the social functions of literature. For Kundera, he tends to achieve self-actualization through the literature and investigate the meaning of life.

Abstract

This paper explores the meaning of life and existence by analyzing the dialogue in Gao Xingjian’s One Man’s Bible and Milan Kundera’s The Unbearable Lightness of Being. Roland Barthes deems that every text holds intertextualness in various forms with different presentations. Eliot comments that the literature writers should observe literature in historical contexts of which in order to get more inspirations. Gao and Kundera convey existentialism in a multidimensional space. However, the themes expressed in Kundera’s The Unbearable Lightness of Being are less transparent and meaningful than Gao’s One Man’s Bible. The Unbearable Lightness of Being encompasses the life of a few individual characters and introduces philosophical thoughts through their choices of life. For example, the reminiscence of the past, custom rituals, oblivion and the co-incidenceness of time are analyzed. However, Gao’s One Man’s Bible depicts the turmoil in Cultural Revolution, which has been experienced by different parties, but not a single individual. Although both Gao and Kundera have inherited the core philosophies of Sartre’s existentialism, Gao opposes to the social functions of literature. For Kundera, he tends to achieve self-actualization through the literature and investigate the meaning of life.

참고문헌 (19)

  1. 高行健, "一个人的圣经" (2011), 联经
  2. 高行健, "没有主义" (2001), 联经
  3. 米兰, "不能承受的生命之轻" (2010), 上海译文出版社
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  17. 김성곤, "문학에 이르는 길 (공저)" (1989), 열음사
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  19. 金英明, "高行健与李仁星小说比较研究", 中国文学研究, 47 (2012)

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