高行健式 “文學의 理由” ――短篇小說을 중심으로――
Gao Xingjian's The Reason of Literature -Focused on the short novels-
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Gao Xingjian came to France as an exile in search of the freedom of creation for himself. The creation is the only way for him to confirm his existence as a bilingual writer. Plus, he attaches importance to the personality in anti-ideology works. In this paper, through creative experiments in five pieces of Gao Xingjian's short novels it is shown that the suggestion of anti-fashion, anti-commercialization, and anti-ideology literature which is free and personal one that he pursues.
Abstract
Gao Xingjian came to France as an exile in search of the freedom of creation for himself. The creation is the only way for him to confirm his existence as a bilingual writer. Plus, he attaches importance to the personality in anti-ideology works. In this paper, through creative experiments in five pieces of Gao Xingjian's short novels it is shown that the suggestion of anti-fashion, anti-commercialization, and anti-ideology literature which is free and personal one that he pursues.
참고문헌 (5)
- 高行健, "高行健短篇小說集" (2001), 臺北, 聯合文學
- 高行健, "現代小說技巧初探" (1981), 花城出版社
- 김양수, "중국문학과 노벨 문학상", (551) (2000)
- 심혜영, "가오싱젠(高行健)의 글쓰기의 의미에 관하여", 6집 (2001), 聖潔大學校 人文科學硏究所
- 이욱연, "중국인 디아스포라와 高行健의 문학", 중국어문학지, (14), pp.383~402 (2003), 중국어문학회