中･韩･日≪三国演义≫文化产品初探
A study on the cultural contents of the Romance of the Three Kingdoms in China, Korea and Japan
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The Romance of Three Kingdoms, with the strong vitality of their works, transcends the limitation of time and space, has been enduring in the development of history, and finally established its classic status, which cannot be separated from dissemination. Today, with the highly developed multimedia technology, many static classic literary works like the romance of The Three Kingdoms have acquired a brand-new modern way of expression and dissemination. It can be said that the establishment of literary classics is accompanied by dissemination. In the process of spreading the novel and producing the cultural products, the novel has been “reborn”. This paper examines the novel internal elements of popular culture and contemporary value of existence, at the same time of the three countries of East Asia cultural contents for the finishing of the Romance of Three Kingdoms, analyzed their respective characteristics.
Abstract
The Romance of Three Kingdoms, with the strong vitality of their works, transcends the limitation of time and space, has been enduring in the development of history, and finally established its classic status, which cannot be separated from dissemination. Today, with the highly developed multimedia technology, many static classic literary works like the romance of The Three Kingdoms have acquired a brand-new modern way of expression and dissemination. It can be said that the establishment of literary classics is accompanied by dissemination. In the process of spreading the novel and producing the cultural products, the novel has been “reborn”. This paper examines the novel internal elements of popular culture and contemporary value of existence, at the same time of the three countries of East Asia cultural contents for the finishing of the Romance of Three Kingdoms, analyzed their respective characteristics.
참고문헌 (15)
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