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인터넷을 통한 비전문가 자막 번역의 특성에 관한 소고: 미국드라마 『섹스 앤 더 시티(Sex and the City)』를 중심으로

A thought on non-professional subtitling on the Internet: -“Sex and the City” as a case in point-

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With the rapid development of technology, people no longer remain passive receivers of cultural contents provided via the Internet. Rather, they participate as creators and providers of contents through various ways such as UCC, Blog, or Internet cafe. Subtitling on the Internet is one of them. In this paper, I tried to examine and identify characteristics of subtitling by non-professional translators on the Internet. I took six episodes from the U.S. drama, Sex and the City and contrasted them to find out characteristic features of subtitling on the Internet. The findings show that subtitling on the Internet is different from traditional subtitling in many ways. First of all, they don't seem to subject to time and spacial restraints. This is shown in the way of translation with notes or added explanation in subtitling. Secondly, mediation or intervention by translators occurs more frequently than in traditional subtitling. I concluded that though subtitling by non-professionals on the Internet is placed on a peripheral position in the whole system, it may take a central position someday, considering the widespread power of Internet.

Abstract

With the rapid development of technology, people no longer remain passive receivers of cultural contents provided via the Internet. Rather, they participate as creators and providers of contents through various ways such as UCC, Blog, or Internet cafe. Subtitling on the Internet is one of them. In this paper, I tried to examine and identify characteristics of subtitling by non-professional translators on the Internet. I took six episodes from the U.S. drama, Sex and the City and contrasted them to find out characteristic features of subtitling on the Internet. The findings show that subtitling on the Internet is different from traditional subtitling in many ways. First of all, they don't seem to subject to time and spacial restraints. This is shown in the way of translation with notes or added explanation in subtitling. Secondly, mediation or intervention by translators occurs more frequently than in traditional subtitling. I concluded that though subtitling by non-professionals on the Internet is placed on a peripheral position in the whole system, it may take a central position someday, considering the widespread power of Internet.

참고문헌 (8)

  1. 김형옥 외, ""영화보다 재미있는 영화번역이야기"" (1998), 신론사
  2. 박찬순, "그 때 번역이 내게로 왔다" (2005), 한울아카데미
  3. 장민호, "번역과 언어의 경제:영한번역을 중심으로", 국제회의 통역과 번역, 6(2), pp.21~47 (2004)
  4. 정인희, "영한 영상번역 전략 연구", 번역학연구, 7(2), pp.207~233 (2006)
  5. 정연일, "번역학 입문-이론과적용" (2006), 서울: 한국외국어대학교 출판부
  6. 조주형, "자막 번역의 특징으로 본 영화 자막 번역의 효율적 방안", 석사, pp.2007
  7. Schwarz,Barbara, "Translation in a confined space-Film sub-titling with special reference to Dennis Potter's"Lipstick on Your Collar"Part2.Translation Journal 7", Translation Journal, 7(1) (2003)
  8. Philadelphia,Descriptive Translation Studies and Beyond, "Amsterdam", pp.1995, Toury,Gideon

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