도연명의 새로운 이상적 인간 ‘철인’과 ‘달인’ ― 금(琴)의 의상(意象)을 중심으로

Abstract

In the question of Tao Yuanming’s literature and thought, One of the most important achievements from a trend of the pedagogism on the subject of the Eastern Jin’s Confucianism and Nature is the expression of the philosophical thought about the ideal human being in the form of poetry by incorporating the Taoist ideology and the life boundary of the thought of Laotzu into literature. Tao Yuanming expanded Chinese poetry into the area of Chinese aesthetics by expressing the ideal man as ‘the Philosopher’ and ‘the Master’ with the form of a poem. On the other hand, Tao Yuanming overcame the limitations of the Eastern Jin’s Metaphysical Poetry by combining the philosophical principles of the philosophy with the lyricity of poetry. From the point of view of considering Wei-Jin period(220-420) in the progression of Chinese poetry development as the starting point of the rationalization and change trend, The poetry of the expression of philosophical thoughts ideology obscures ‘meaning and thought’ and emotions of the poem, as a result, philosophy overwhelms literature. Therefore, it is difficult to secure poetic lyric while expressing philosophical thinking in poetry in creation. The Meaning and thought on the Geum is a condensation of independent thinking as a philosophical human and aesthetic sense as an artistic human.