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劉勰 比興論의 특색과 의의

The Study on the Theory of BiXing (比興) by LiuXue (劉勰)

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LiuXue(劉勰) presents a relatively complete and systematic theory of BiXing(比興) the first time in an organic relationship with the prequel of WenXinDiaoLong(文心雕龍), focusing on the WenXinDiaoLong(文心雕龍) BiXing(比興) section. LiuXue(劉勰) specifically clarifies the meaning and application characteristics of BiXing(比興) through an examination of the origin and historical transition process, which is an important issue in the theory of Chinese literature. Chapter 1 explains the meaning and characteristics of BiXing(比興) and the history of its use. Chapter 2 examines the process and method of thought into BiXing(比興) that naturally accompanies the literary and artistic conceptual process. Chapter 3 discusses BiXing(比興) as an expression technique and the principles of its use. Chapters 2 and 3 are discussions on ideas and expressions that proceed simultaneously in the process of literary creation, from the writer's point of view. In chapter 4, we discuss the aesthetic effects of works created in specific literary forms using thought and expression techniques of BiXing(比興), from the reader's point of view. The conclusion of this article reveals the characteristics and significance of the theory of BiXing(比興) by LiuXue(劉勰), which has a relatively complete system based on the above discussion.

Abstract

LiuXue(劉勰) presents a relatively complete and systematic theory of BiXing(比興) the first time in an organic relationship with the prequel of WenXinDiaoLong(文心雕龍), focusing on the WenXinDiaoLong(文心雕龍) BiXing(比興) section. LiuXue(劉勰) specifically clarifies the meaning and application characteristics of BiXing(比興) through an examination of the origin and historical transition process, which is an important issue in the theory of Chinese literature. Chapter 1 explains the meaning and characteristics of BiXing(比興) and the history of its use. Chapter 2 examines the process and method of thought into BiXing(比興) that naturally accompanies the literary and artistic conceptual process. Chapter 3 discusses BiXing(比興) as an expression technique and the principles of its use. Chapters 2 and 3 are discussions on ideas and expressions that proceed simultaneously in the process of literary creation, from the writer's point of view. In chapter 4, we discuss the aesthetic effects of works created in specific literary forms using thought and expression techniques of BiXing(比興), from the reader's point of view. The conclusion of this article reveals the characteristics and significance of the theory of BiXing(比興) by LiuXue(劉勰), which has a relatively complete system based on the above discussion.

참고문헌 (16)

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  7. 涂光社, "文心十論" (1986), 春風文藝出版社
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  10. 周振甫, "文心雕龍譯注" (2006), 敎育出版社
  11. 김원중, "유협 비흥론 초탐", 중국인문과학, 12 (1993)
  12. 김민나, "六朝文藝美學總論-『文心雕龍』의 탄생배경-", 중국어문학, 28 (1996)
  13. 문승용, "南朝 文論에 나타난 比興 수사법의 演變 考", 수사학, (8), pp.223~247 (2008), 한국수사학회
  14. 안성재, "“比, 興”과 “顯, 隱” 관계고찰", 수사학, (8), pp.249~273 (2008), 한국수사학회
  15. 최병학, "文心雕龍第三十六「比興」편 辨釋", 중국문학이론, 4 (2004)
  16. 石恪, "劉勰《比興》篇的意義", 赤峰學院學報(漢文哲學社會科學版), 33(7) (2012)

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