20세기 시인의 전통 한시 국역

Abstract

This study organizes the overall results of accepting aspects of traditional hansi by 20th poets and derives its meaning. The results of this study are as follows : First, the rhyme of traditional Korean poetry and songs which include foot meter, division into several stanzas and so on is pursued by translating traditional Chinese hansi into Korean until the 1940s. However, after the 1950s, hansi was translated into the Korean language in the style that is not much different from the contemporary free verse's. Second, before the 1960s, the main contents of poetry translated into Korean were farewell and yearning. Also, hansi written by female writers was actively translated in those days. It shows that translated poetry was emotionally related to the Japanese colonial era and the Korean War. It means that Korean language translation reflects its era and the poetry translated into Korean can heal people's emotion. Third, the translated poetry of hansi shows the directivity of the popularization of hansi. The contents of quatrain and regulated verses were divided into several stanzas. Its expression of orality could be easy and familiar to the public. Also, writer introduction, as well as explaining phrases, made people understand poetry easily. Originally, hansi had been the exclusive property for noblemen. However, poets tried to accept hansi as literature which everyone can enjoy by translating hansi of various authors: high-class and low-class women, the anonymous, Buddhist monk, and etc. Fourth, by translating into Korean, it evokes pride in the Chinese culture of the medieval East Asian cultural sphere and provides an opportunity to recognize the history of national literature in the tendency of translating contemporary poetry from abroad into Korean. This means setting up a place for hansi in the Korean modern poetry literature and accommodating it. Fifth, the aspects of Korean language translation in 20th can be classified into periods. hansi was translated into traditional Korean poetry and songs until the 1930s and into translated poetry as one-to-one as possible until the 1940s. Translated poetry was closer to a free verse that poets created from the 1950s to 1960s. In addition, it stood out as the characteristic of not only free verse but also translated poetry after the 1970s. In this period, the aim of introducing the translated poetry to the public strengthened. Sixth, Dang dynasty's poetry, especially certain poets wrote, was translated actively in relation to hansi being targeted. After the 1930s, Korean traditional hansi started to be translated evenly chosen regardless of its author's rank or era. As a result, we can see the crucial effort of poets to make hansi into Korean modern poetry, namely modernization of hansi by accepting hansi from the Chinese classics to the Korean language, from fixed verse to free verse and from gentry male-oriented to popular poetic literature.