朝鮮･韓国と接触した詩人の共通と相違 －同世代詩人、森崎和江と茨木のり子－
A study of the similarities and differences between the poets who came into contact with Korea -Kazue Morisaki and Noriko Ibaragi, poets of the same generation-
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This study attempted a comparative study of two female poets, Kazue Morisaki and Noriko Ibaragi, who were born in the same period and continued to write poetry in post-war Japan. The two poets are not only of the same generation, but also share a number of similarities. Attention was also drawn to the fact that both had experience of contact with Korea. Their common understanding of poetry is that “poetry is dialogue”. However, the characteristics of their poems were very different. Morisaki’s poems avoid direct expression and leave it to the reader’s imagination. Ibaragi’s poems, on the other hand, are written about ‘the right things’ and are depicted in plain language that is easily understood by the reader. Comparing the two poets’ attitudes towards poetry and their works themselves, it can be said that Morisaki is more poet-like, while Ibaragi is a poet who writes prose-like poetry.
Abstract
This study attempted a comparative study of two female poets, Kazue Morisaki and Noriko Ibaragi, who were born in the same period and continued to write poetry in post-war Japan. The two poets are not only of the same generation, but also share a number of similarities. Attention was also drawn to the fact that both had experience of contact with Korea. Their common understanding of poetry is that “poetry is dialogue”. However, the characteristics of their poems were very different. Morisaki’s poems avoid direct expression and leave it to the reader’s imagination. Ibaragi’s poems, on the other hand, are written about ‘the right things’ and are depicted in plain language that is easily understood by the reader. Comparing the two poets’ attitudes towards poetry and their works themselves, it can be said that Morisaki is more poet-like, while Ibaragi is a poet who writes prose-like poetry.
참고문헌 (26)
- 모리사키 가즈에, "경주는 어머니가 부르는 소리", pp.1~295 (2020), 글항아리
- 阿部晴政, "KAWADE夢ムック文藝別冊 茨木のり子", pp.8~284 (2016), 河出書房新社
- 茨木のり子, "｢櫂｣小史｣『現代詩文庫20 茨木のり子詩集", pp.100~101 (1969), 思潮社
- 茨木のり子, "ハングルへの旅", pp.16~259 (1989), 朝日新聞社
- 茨木のり子, "花神ブックス１増補 茨木のり子", pp.75~77 (1996), 花神社
- 茨木のり子, "花神ブックス１増補 茨木のり子", pp.79~ (1996), 花神社
- 茨木のり子, "隣国語の森｣『茨木のり子集 言の葉2", pp.152~ (2010), 筑摩書房
- 茨木のり子, "茨木のり子詩集 谷川俊太郎選", pp.224~225 (2014), 岩波書店
- 金智英, "隣の国のことばですもの 茨木のり子と韓国", pp.33~ (2020), 筑摩書房
- 後藤正治, "清烈 詩人茨木のり子の肖像", pp.55~57 (2014), 中央公論新社
- 坂口博, "詩人･森崎和江", 環, 38, pp.274~ (2009), 藤原書店
- 新川和江, "花神ブックス１増補 茨木のり子", pp.99~ (1996), 花神社
- SORIMACHI MASUMI, "森崎和江における朝鮮の受容と表出の様相 ―「対話と無」「南山幻想」によって語られはじめる朝鮮―", 日本文化學報, (92), pp.239~261 (2022), 한국일본문화학회[DOI]
- 谷川俊太郎, "茨木のり子詩集 谷川俊太郎選", pp.3~ (2014), 岩波書店
- 分銅惇作他, "日本現代詩辞典", pp.105~436 (1986), 桜楓社
- 松永伍一, "森崎和江詩集 日本現代詩文庫12", pp.144~ (1984), 土曜美術社
- 水尾比呂志, "茨木さんと｢櫂｣", 現代詩手帖, 49(4), pp.84~ (2006), 思潮社
- 森崎和江, "さわやかな欠如", pp.67~103 (1964), 国文社
- 森崎和江, "かりうどの朝", pp.138~ (1974), 深夜叢書社
- 森崎和江, "慶州は母の呼び声 わが原郷", pp.40~ (1984), 新潮社
- 森崎和江, "詩的言語が萌える頃", pp.161~163 (1990), 葦書房
- 森崎和江, "地球の祈り", pp.8~9 (1998), 深夜叢書社
- 森崎和江, "森崎和江コレクション─精神史の旅1産土", pp.30~260 (2008), 藤原書店
- 森崎和江, "森崎和江コレクション─精神史の旅２地熱", pp.110~ (2008), 藤原書店
- 森崎和江, "森崎和江コレクション─精神史の旅5回帰", pp.23~348 (2009), 藤原書店
- "WEB特集 人生を変える“言葉”韓国で出会った茨木のり子"[URL]