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방첩소설, 조선의 총동원체제와 ‘국민오락’의 조건-김내성의 『매국노』를 중심으로

Counter-Espionage Novels, Chosun’s All-Out War System and Conditions of ‘Entertainment for People’ -Focused on Kim Nae Seong’s 『Maegukno』

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초록

『Maegukno(Traitor to the Country)』 takes the form of a detective novel, and it is one of the “counter-espionage novels” that publicize the mode of life based on the all-out war system. ‘Counter-espionage’ is one of the ways for you to play roles as the subject of war regardless of whether you are one of the people in the back or soldiers in the front. After the China-Japan War, the Japanese Empire came up with a genuine form of detective novels having as its narrative structure the observation and logical inference as a way to deliver the people in the back of Chosun scientific knowledge about war in the all-out war system during the war. In this sense, Japanese detective novels developed in a way to deal with human pathological mind and psychological state were excluded from the reading for sound people whereas the detective novels of colonized Chosun were permitted to be read as entertainment for people as being focused on scientific evidences and the process of inference and restricted to the contents of digging up spies. In this situation, Kim Nae Seong’s 『Maegukno』 was the one and only novel that appeared with the title of “a counter-espionage novel” as the one that faithfully delivered such things as scientific knowledge and the codes of conduct in the area of counter-espionage, and it is the work that best shows the mode that the detective novels of Chosun were used for the all-out war system. This article examines why detective novels were called as a tool to promote national policy in the process that the Japanese Empire were redefining the utility of literature to build the all-out war system through Kim Nae Seong’s 『Maegukno』 and also analyzes its contents about the consciousness of ‘counter-espionage’ which Gyeongseong citizens, the readers of 『Maegukno』 and the background of it, were forced to have then.

Abstract

『Maegukno(Traitor to the Country)』 takes the form of a detective novel, and it is one of the “counter-espionage novels” that publicize the mode of life based on the all-out war system. ‘Counter-espionage’ is one of the ways for you to play roles as the subject of war regardless of whether you are one of the people in the back or soldiers in the front. After the China-Japan War, the Japanese Empire came up with a genuine form of detective novels having as its narrative structure the observation and logical inference as a way to deliver the people in the back of Chosun scientific knowledge about war in the all-out war system during the war. In this sense, Japanese detective novels developed in a way to deal with human pathological mind and psychological state were excluded from the reading for sound people whereas the detective novels of colonized Chosun were permitted to be read as entertainment for people as being focused on scientific evidences and the process of inference and restricted to the contents of digging up spies. In this situation, Kim Nae Seong’s 『Maegukno』 was the one and only novel that appeared with the title of “a counter-espionage novel” as the one that faithfully delivered such things as scientific knowledge and the codes of conduct in the area of counter-espionage, and it is the work that best shows the mode that the detective novels of Chosun were used for the all-out war system. This article examines why detective novels were called as a tool to promote national policy in the process that the Japanese Empire were redefining the utility of literature to build the all-out war system through Kim Nae Seong’s 『Maegukno』 and also analyzes its contents about the consciousness of ‘counter-espionage’ which Gyeongseong citizens, the readers of 『Maegukno』 and the background of it, were forced to have then.

참고문헌 (13)

  1. "매일신보", ~
  2. "신시대", ~
  3. "신세기", ~
  4. "소년", ~
  5. "조선일보", ~
  6. 이건지, "추리소설이란 무엇인가" (1997), 국학자료원
  7. 이정옥, "1930년대 한국 대중소설의 이해" (2000), 국학자료원
  8. 최애순, "조선의 탐정을 탐정하다" (2011), 소명출판
  9. 쓰루미 슌스케, "전향" (2005), 논형
  10. 정종현, "‘해방전후’ 김내성 스파이-탐정 서사의 연속과 비연속 -<태풍>과 ≪청춘극장≫을 중심으로-", 현대문학의 연구, (42), pp.457~508 (2010), 한국문학연구학회
  11. 정혜영, "과학과 엽기, 그 사이에서 -탐정소설 <염마>와 <수평선 너머로>를 중심으로", 대동문화연구, (72), pp.389~414 (2010), 대동문화연구원
  12. 정혜영, "방첩소설 <매국노>와 식민지 탐정문학의 운명", 한국현대문학연구, (24), pp.275~301 (2008), 한국현대문학회
  13. 최애순, "이론과 창작의 조응, 탐정소설가 김내성의 갈등 -본격 장편 탐정소설 『마인』이 형성되기까지-", 대중서사연구, (21), pp.51~86 (2009), 대중서사학회

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