이중 미스터리, 식민지 하이테크 - 식민지 ‘탐정 스파이물’ 연구
Double Mysteries, Colonial High-tech - the presentation of detective-spy in colonial era
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The concern of this study is investigating the shapes and functions of the detectives-spies from mid 1930s to 1945. For this I'll examine detective-espionage novels and movies with Japanese colonial-era setting. The private-detective is a individual in the Kyeung Seung(京城), modernized colonial city. But there was an abnormality of modernization and urbanization at the Japanese colonial era. There are double mysteries at the core of most colonial detective narratives on a private and nation-imperial level. The mystery that happened at the private space used to be extend to the ethnic-imperial dimension. In the colonial narrative, the private-detective has to examine bourgeois crime. Then the crime is relate tacitly with the deprived sovereignty. So the most abominable crime is not a mere something individual but an indication of imperialistic conspiracy of Japan. Meanwhile, the police-detective is belong to Japanese authority. Officially he performs public interest, but the power divided to him is in collusion with Japan. So he is inferior to the private-detective all along from the ethico-ethnical point of view. If the criminal-detective were an native Korean, the situation could be more subtle. In the middle 1930s, the detective becomes a spy as agent of ethnic against imperialistic Japan. But during late 1930s-1945 the detective has to arrest international spy ring for the sake of Japanese military police. The person who has new-advanced knowledge and technology can preoccupy the higher hegemony of intelligence. In these detective narratives, technology seems to function on two aspects. First, the private-detective usually shows off his high-tech technology. It works as a superficial style for him. It is not necessary to solve the kernel of mystery. But it is only the ornamental equipment that demonstrated his intelligence. Second, technology becomes constructive requisite for the narrative. The main plot of anti-espionage narrative is like that; a private-detective has to seek out spies who steal the highly technologized weapon.
Abstract
The concern of this study is investigating the shapes and functions of the detectives-spies from mid 1930s to 1945. For this I'll examine detective-espionage novels and movies with Japanese colonial-era setting. The private-detective is a individual in the Kyeung Seung(京城), modernized colonial city. But there was an abnormality of modernization and urbanization at the Japanese colonial era. There are double mysteries at the core of most colonial detective narratives on a private and nation-imperial level. The mystery that happened at the private space used to be extend to the ethnic-imperial dimension. In the colonial narrative, the private-detective has to examine bourgeois crime. Then the crime is relate tacitly with the deprived sovereignty. So the most abominable crime is not a mere something individual but an indication of imperialistic conspiracy of Japan. Meanwhile, the police-detective is belong to Japanese authority. Officially he performs public interest, but the power divided to him is in collusion with Japan. So he is inferior to the private-detective all along from the ethico-ethnical point of view. If the criminal-detective were an native Korean, the situation could be more subtle. In the middle 1930s, the detective becomes a spy as agent of ethnic against imperialistic Japan. But during late 1930s-1945 the detective has to arrest international spy ring for the sake of Japanese military police. The person who has new-advanced knowledge and technology can preoccupy the higher hegemony of intelligence. In these detective narratives, technology seems to function on two aspects. First, the private-detective usually shows off his high-tech technology. It works as a superficial style for him. It is not necessary to solve the kernel of mystery. But it is only the ornamental equipment that demonstrated his intelligence. Second, technology becomes constructive requisite for the narrative. The main plot of anti-espionage narrative is like that; a private-detective has to seek out spies who steal the highly technologized weapon.
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