李商隱 시에 나타난 신화적 인물의 고독과 미적 상징성 －비극 의식과의 연관성 －

Abstract

This study examines the solitude and aesthetic symbolism of mythical figures in the poetry of Li Shangyin, a prominent poet of the late Tang Dynasty, focusing on their connection to tragic consciousness. It explores how Li Shangyin utilized mythical figures to artistically express his inner emotions and the socio-historical context of his time. Mythical goddesses such as Chang’e, the Goddess of Mount Wu, and Magu frequently appear in his works, serving as more than mere allusions; they act as mediators reflecting the poet’s inner struggles and emotions, thereby enhancing the symbolic resonance of solitude and beauty. Chang’e, symbolizing solitude as a goddess eternally isolated on the moon, reflects Li Shangyin’s personal despair and unattainable love. The Goddess of Mount Wu represents unfulfilled love and deepens the poet’s sense of tragedy. Meanwhile, Magu embodies the juxtaposition of human mortality and the transcendent concept of immortality, revealing the essential solitude and futility of human existence. This paper primarily analyzes the aesthetic symbolism of these mythical figures, further investigating how their representation of solitude and beauty connects to the poet’s tragic consciousness. By doing so, this study aims to provide a deeper understanding of the intricate interplay between Li Shangyin’s internal world, his poetic imagination, and his tragic vision, thereby offering new insights into his poetic universe.