‘巫山神女’ 이미지 활용 唐詩 연구
A Study on the Utilization of the ‘Wushan Goddess’ Image in Tang Poetry
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초록
본고는 당시에 활용된 무산신녀 이미지의 형성과 변용 양상을 살펴본 것이다. 당시에서 무산신녀 이미지는 크게 세 가지 모습으로 나타난다. 첫째, 긍정적 이미지의 미인으로, 이상적 아름다움과 환상의 세계를 상징한다. 둘째, 부정적 이미지의 미인으로서 허망한 욕망과 덧없음을 표현한다. 셋째, 충절과 애국의 상징으로 시인의 고난과 현실적 좌절을 은유하는 페르소나로 활용된다. 이러한 무산신녀 이미지는 자연적 요소와 결합하여 신비로운 분위기를 형성하고, 시적 공간을 확장하는 예술적 장치로 기능하였다. 본고에서는 이러한 분석을 통해 당대 시인들이 무산신녀 이미지를 활용해 현실과 이상, 자연과 인간의 경계를 넘나들며 다양한 정서를 표현하였음을 밝혔다.
Abstract
This paper examines the evolving representation of the Wushan Goddess image in Tang poetry, analyzing its formation, utilization, and artistic significance. Rooted in early Chinese mythological texts like Shanhaijing and Chuci, the Wushan Goddess initially symbolized transcendence and divine beauty. By the Tang dynasty, the figure of the goddess emerged as a multi-dimensional symbol, reflecting the emotional and artistic landscapes of poets. The analysis is structured into four sections. First, it traces the historical formation of the Wushan Goddess image, focusing on its development from mythological origins to literary symbolization. In particular, works like Song Yu’s Gaotang Fu played a pivotal role in establishing her as a poetic figure representing ethereal beauty and unfulfilled longing. Second, the study explores the utilization of the goddess image across Tang poetry. By analyzing vocabulary patterns and poetic devices, this research identifies key poetic clusters that emphasize emotional motifs such as separation, longing, and natural transcendence. Terms like “clouds” and “rain” frequently accompany her image, highlighting her connection to the fluidity of human emotions and nature. Third, the Wushan Goddess image is shown to manifest in varied symbolic roles: as an idealized beauty, a source of ephemeral desire, and a representation of loyalty and unfulfilled aspiration. The goddess simultaneously evokes personal longing and critiques societal values, adding complexity to her portrayal in poems by Li Bai, Du Fu, and other Tang poets. Finally, the paper discusses the artistic utilization of this imagery, particularly its role in blending natural scenery and emotional expression. The Wushan Goddess image serves as a bridge between the real and imagined worlds, elevating Tang poetry’s aesthetic and emotional depth. By illuminating the rich symbolism of the Wushan Goddess in Tang poetry, this study underscores her importance as a literary device that conveys personal, emotional, and cultural values. Future research may explore similar mythological figures to further unravel the dynamic interplay of symbolism, history, and artistry in Chinese classical poetry.