한국 한시에 투영된 달의 表象性
The symbol of 'moon' in the Chinese poetry of Korea
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
As generally accepted, literature is the reflection of human experiences. Usually human beings are conditioned and organized in time and space. Therefore time and space are the crucial factors in the production of literature and have an important meaning in literature epistemology. In case of Chinese poetry of Korea, the harmony with nature, such as river and mountain etc, is very important. Specially, the moon as a motif and theme is figured repeatedly. This thesis investigates the meaning of moon manifested in the Chinese poetry of Korea. As a result of sketching out the general features of the symbols, moon symbolizes 'ambivalence'. This meaning of the moon is accepted as an archetype in Chinese poetry of Korea. Literatures with subject matters of moon express variety of moods, such as sadness of the finitude of human life, sorrow of the forsaken woman, etc. So to say, moon takes a significant part in Korean classic literature.
Abstract
As generally accepted, literature is the reflection of human experiences. Usually human beings are conditioned and organized in time and space. Therefore time and space are the crucial factors in the production of literature and have an important meaning in literature epistemology. In case of Chinese poetry of Korea, the harmony with nature, such as river and mountain etc, is very important. Specially, the moon as a motif and theme is figured repeatedly. This thesis investigates the meaning of moon manifested in the Chinese poetry of Korea. As a result of sketching out the general features of the symbols, moon symbolizes 'ambivalence'. This meaning of the moon is accepted as an archetype in Chinese poetry of Korea. Literatures with subject matters of moon express variety of moods, such as sadness of the finitude of human life, sorrow of the forsaken woman, etc. So to say, moon takes a significant part in Korean classic literature.
참고문헌 (18)
- 민족문화추진회, "국역동문선II" (1982)
- 成侃, "眞逸遺稿"
- 李穡, "牧隱詩藁"
- 鄭道傳, "三峯集"
- 鄭夢周, "圃隱先生文集"
- 鄭蘊, "桐溪先生文集"
- 曺好益, "芝山先生文集"
- 崔致遠, "孤雲先生文集"
- 한국학문헌연구소, "大東詩選 上" (1980), 아세아문화사
- 한국학문헌연구소, "大東詩選 下" (1980), 아세아문화사
- 洪萬宗, "小華詩評" (1989), 동서문화사
- 김완성, "향가 <찬기파랑가>, 윤선도 <오우가>, 박목월 <나그네>의 달의 의미 고찰", 새국어교육, (81), pp.433~448 (2009), 한국국어교육학회
- 심재완, "역대시조전서" (1972), 세종문화사
- 이재선, "우리문학은 어디에서 왔는가" (1986), 소설문학사
- 이택동, "한국 영사시의 장르론적 연구", 박사, pp.1995
- 이택동, "한국 한시에 투영된 江의 表象性", 한국고전연구, 6 (2000), 한국고전연구학회
- 정혜란, "枕肱 한시에 나타난 수행의 반려자로서의 달", 고시가연구, (15), pp.295~326 (2005), 한국고시가문학회
- 정후수, "臨淵 李亮淵의 漢詩 抄", 동양고전연구, 7 (1996), 동양고전학회