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潘天寿教育哲学研究

Research on Pan Tian-shou's philosophy education

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초록

“教育学”是相对静态的科学, 它表现在, 任何教育理论(包括内容、形式、原则、方法等等)形成以后, 是以相对固定和静止的方式存在的。 而“教育哲学”, 则是动态的科学, 它起源于哲学, 是一门用哲学视角来探讨教育的理论和实践诸方面问题的学科。 儒家教育哲学把教育与人的品德发展和社会立命紧密联系, 形成了“本体论—人性—认识—教育—道德修养”的中国古典教育哲学体系。潘天寿(1897—1971)是20世纪中国著名的国画家和美术教育家, 被现代美术界称为“百代宗师”。 他的艺术成就是多方面的, 在诗、书、画、印、美术史论、美术理论等诸方面造诣颇深。 潘天寿具备传统文人画家的所有品德和素养, 但是他的作品与传统文人画又有很大区别。 原因在于他并不是墨守古人的传统, 而是“借古开今”、“推陈出新”。 同时, 潘天寿学贯古今, 他善于用动态发展的眼光把握美术教育的发展方向, 具备深厚的教育哲学素养。 他开创了中国画人物、山水、花鸟独立分科教学的先河、首创了书法篆刻专业。 他历经磨难, 仍然坚守中国传统书画教育阵地, 为中国画的传承培养了可贵的学术人才。 他在中国传统艺术教育领域的贡献是前无古人的。现代教育哲学强调在教育实践过程中, 根据教育环境、教育对象、教育内容、教育历史的不同, 而采取不同的教育内容、形式及方法。 “教育哲学最为关心的就是人的生活及教育实践”, 本文以潘天寿的教育实践为基础, 从教育哲学表现形式的角度探讨了潘天寿的教育哲学思想。 其主要表现在以下四个方面:1. 传授知识与培养学生综合素质并举;2. 正确把握感性与理性的关系;3. 充分调动学生的学习积极性;4. 站在整个民族的高度之上思考民族艺术教育的发展方向。潘天寿在40余年的教育实践中, 自觉地以儒学教育思想和艺术创新理念为指导, 探索形成了独具特色的现代中国传统美术教育体系。 他的教育哲学思想对当代艺术院校的美术教育仍然具有重要的指导意义。

Abstract

Pedagogics is comparatively a static science which is demonstrated by the fact that as far as any pedagogical theories (includes the content, form, principle or methods etc) have been formed, they exist in a comparatively fixed and static way. While pedagogical philosophy, is a dynamic science. It originated from philosophy and is a subject that explains educational theories and practices with a philosophy view. Confucian education philosophy connected education with the people’s moral development and social responsibility and thus led to a Chinese classical education philosophy system, namely "ontology- human nature – cognition-education-morality". Pan Tianshou (1897-1971) was a well-known artist of traditional Chinese painting and an art educationist in the 20th century and has been regarded as a great master through hundreds of generations by modern art circles. He has got great achievements in many fields in art, for instance, poem writing, calligraphy, painting, seal carving, art history critics, art theory etc. Pan Tianshou possessed all the qualities that traditional artists should have, but his work is far more than traditional art work. This reason is that he had never been ruled by conventions and was of a pioneering spirit. Meanwhile, Pan Tianshou well versed himselfin both ancient and modern learning and got hold of the direction of the development of art education with a dynamic and philosophy view. He was the first people who taught traditional Chinesefigure painting, landscape painting and flower and bird painting as independent courses and he initiated the training subject of calligraphy carving. He had gone through all kinds of hardships and difficultiesbut he stuck to his position as an art instructor of traditional Chinese fine arts and had made great contributions in the field. Modern education philosophy emphasizes that differentcontents, forms and methods should be taken according to the educational environment, educational objects, contents and history during the practice. "What educational philosophy focuses most on is people’s life and educational practice." This article discusses Pan Tianshou’s educational philosophy from the view of educational philosophy manifestation and is based on Pan Tianshou’s educational practice. His philosophy is mainly demonstrated in the following four respects: 1. both knowledge and students’ all-round qualities are equally important; 2. correctly treat the relationship of sensibility and rational thinking; 3. fully stimulate students’enthusiasm to learn; 4. think the development direction of art education with a view of whole nation. During his more than 40 years teaching, Pan Tianshou was guided by Confucian education thoughts and art innovative thinking and explored to form a unique Chinese modern are education system. His educational philosophy is of directive significance for art education in modern art schools.

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