油画中的儒家美学潜意识 —“中国油画民族化”之路—
Confucian aesthetic subconsciousness in oil painting： The road of "Chinese oil painting nationalization"
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초록
儒学理论在当下是需要带着创新和发展的态度借鉴和学习的，油画作为一种外来艺术形式在中国已有百年的发展，在现阶段我们应该站在中国的视角对它重新审视和思考。本文通过概述中国油画民族化中的儒家美学特征，结合中国油画家作品剖析其内含的儒学潜意识表现，从而揭示中国油画民族化进程中彰显的艺术精神，指出在中国油画民族化境遇下，儒家美学作为指导中国油画民族化道路的理论价值和意义，以期引起关注和探讨。
Abstract
At present, the theory of Confucianism needs to learn and learn with the attitude of innovation and development. Oil painting, as a foreign art form, has developed in China for a hundred years. At this stage, we should re-examine and rethink it from the perspective of China. This paper summarizes the Confucian Aesthetic Features in the nationalization of Chinese oil painting, analyzes the subconscious expression of Confucianism in combination with the works of Chinese oil painters, so as to reveal the artistic spirit in the process of the nationalization of Chinese oil painting, and points out the theoretical value and significance of Confucian aesthetics as a guide to the nationalization of Chinese oil painting in the context of the nationalization of Chinese oil painting, with a view to attracting attention and discussion.
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