반천수(潘天壽)의 ‘화조(花鳥) 산수화’ 연구

Abstract

Pan Tian-shou(1897-1971) was a great artist representing the 20th Century Chinese Painting History and an educator who had dedicated for development of the Chinese paintings and is called one of the four great artists of the modern and contemporary Chinese Painting Circle with Wu Chang-shih(1844-1927), Qi Bai-shi(1863-1957), and Huang Bin-hong(1864-1955). Pan Tian-shou had tried to keep concretely the traditions and to seek how to make new things in it and expressed its own artistic world with his original and creative painting styles in the situations that traditional literati paintings due to the introduction of western paintings. The 'bird-and-flower and landscape painting' is the artist's own creation through the technique of painting the actual landscapes and the combination of both the oriental bird-and-flower painting and landscape one, and could be considered as a successful result of making a new thing which broke boldly the boundaries of the traditional Chinese painting. The paintings from mutual combination between bird-and flower and landscape have caused new impressions for natural beauty, reflecting the spirit of modernity. Pan Tian-shou's works of 'bird-and-flower and landscape painting' have powerful lines made from the utilization of writing method of caligraphy with his own creative picture composition. He created the screens full of presence, realizing unilateral nearby landscape painting through the method of painting actual landscape and arranged bold pān gōng shí(潘公石) focusing on the screen, crossing freely the boundaries of creating roughness and destroying roughness(险). In addition, his painting position of four-direction enclosing(四面包圍式) of the entire screen creates another space of blank, making strong contrast with things and creating the co-existence between the real and the virtual things(虛實相生).