허목(許穆)의 <동해송(東海頌)>과 고학(古學)의 의미

Abstract

This article examined Heo mog(許穆)’s Sanggojuui(尙古主義) in terms of old poetry form. Heo revealed that the ancient letters and ancient literary forms were closely related to the idealistic politics in Seojingoyomocha(書進皐陶謨箚). Donghaesong was a work that embodies this intention well. Donghaesong expressed a literary form derived from Sigyeong Sangsong(詩經 商頌). In terms of composition, the three verses constituents were similar to Jinsihuang(秦始皇)‘s Jibugagseog(之罘刻石) and Hoegyegagseog(會稽刻石). In terms of rhyme, the use of Samguyangun(三句兩韻, double rhyme in three verse) or Maeguabun(每句押韻 every rhyme in every verse) is similar to Sigyeong Sangsong Hyeonjo's way of rhyme. Donghaesong completely embodied the literary forms of Jin Gagseog and Sangsong Hyunjo, which reproduced the poetry of the ancient times in the 17th century. In addition, as it is known as another name, “Cheogjudonghaebi” Donghaesong was engraved on the monument in ancient letters. This was an attempt by Huh to reproduce the three ideal era in terms of expressive characters, poetry form, and contents through Donghaesong. In addition to Donghaesong, he attempted to recreate the form of ancient literature in his works such as Guasomunyugam(過召文有感), Baegjeseomanghaeyo(百濟西望海謠), and Gieongjaseo. As such, Heo’s attempt to reproduce the literature and literary form of three old but ideal eras, was to try to reproduce literally that the history of the ideal era existed in our land in the old days of HaEunJu. To this end, he reproduced the ancient character and literary form of the time, testifying the history of our land in literature.