『大宋興亡錄』의 창작 연구

Abstract

This paper analyzed Daesongheungmangnok, the nationality of Daesongheungmangnok a work that had not been researched by contemporary scholars, examined the characteristic aspects of the creative method, and discussed its significance in the history of classic korean novel. Daesongheungmangnok has been classified as a Chinese novel, it can be assumed that it is a classic novel of Joseon in terms of internal form and external information. Researched by the characteristic aspects of the creative method, Daesongheungmangnok differ from those of classic chinese novels(Yeonui novel, 演義小說) that focuses on the narrative of an active hero, highlights the narrative of an individual who is passively sacrificed to the flow of history. In addition, By placing the narratives of individuals who ultimately fail to save their country and Fierce deaths in the face of foreign invasions, in the flow of history at the crossroads of destruction, it is different from the classic chinese novels that focus on active individuals who have the ability to change the flow of history. It shows a difference. It covers the founding and fall of the Song Dynasty, but unlike other historical narratives, events related to the succession of the dynasty appear from the beginning, and it advocates sibling succession in which the successor to the throne is more likely to be an adult, which is a succession of younger kings. It can be said to be a change in historical relationships that reflects the reality of Joseon when he ascended the throne. the ‘intentional’ indifference to the history of foreigners can be seen as part of the perception that Joseon’s intellectual class had toward foreigners, that is, barbarians. The omission and distortion of the kings of foreign dynasties can be said to reveal contempt for them. Daesongheungmangnok appears to have been created approximately in the mid to late 19th century. This work shows that the status of Rental Library Manuscript is changing in that it uses the fall of the Song Dynasty as its main subject, exposes critical consciousness, and shows a direct view of reality.