한중일 격투무예(手搏相搏相撲)의 어원 및 기원에 관한 연구 : 고대 일본 스모(相撲)에 보이는 격투술을 중심으로

Abstract

This research proves the tradition and the relationship about the beginning and the etymology of ‘Combat’ through the comparison and the analysis of ‘Subak(手搏)’ and ‘Sangbak(相搏․相撲)’distributed throughout Korea, China and Japan. First of all, the dependable data of ancient historical documents prove actual martial arts which was conducted in Korea, China and Japan as the origination place of ‘Combat. Secondly, the techniques of ‘Combat’ are shown at the ancient wall painting such as Goguryeo 's Gakjeodo(角抵圖), Chinese painting of a wooden comb, shoubo(手搏) and Japanese remains(earthenware), earthenware. Thirdly, through these historical records and remains, it is clear that the trace of the original place of ‘Combat’ is in Korea, China and Japan. Fourthly, the sumo(相撲) of Japan is very similar to clothes that are shown at the ancient wall painting. The fifth, as the historically proved painting of Japanese sumo(相撲), the body ceremony of history is shown at that painting. After taking the above into consideration, implications of the techniques of ‘Combat’distributed among Korea, China and Japan must be confirmed. Furthermore, ‘Subak(手搏)’ and ‘Sangbak(相搏․相撲)’does not mean specific military arts, but general terms.