조선후기 민요 연행의 실상과 서정시가의 향방

Abstract

The aim of this article is to investigate the actual circumstance of folk song performance in late chosun dynasty, and to present a direction of lyric poetry. An interest in folk song was continued from Korea dynasty to late chosun dynasty. In particular, Sino Korean poet was interested in the nature of feelings and utilized their poetic composition. The actual circumstance of folk song performance in late chosun dynasty is classified three categories. First, We are able to recognize the difference of mode and emotion in regional folk song, for example <Sanyuhwayeoga> of Choi Seongdae. Second, to turn over the poetic composition in performance, for example <Chosannongga> of Kang Junheum. And the third, call and response pattern(呼應唱) is connect the fore poetic diction to the back, and we can be thoughtful of another singer or poet. And, we are able to consider three directions in Korean lyric poetry. First, Using of repetition not only formal but also structural. Second, groping creative individuality based on regional emotional mode. Finally, the third, securing the lyric reality in real Korean lives.