문집 소재 민요 관련 한시를 통해 본 조선후기 민요의 가창방식

Abstract

The aim of this study is to examine closely the tuneful way they sing the falk songs in the Late Choseon Dynasty. To meet the purpose, the aspects of singing the falk songs are carefully observed on the ground of the materials recorded in various collections of works, including the materials gathered on scene of singing falk songs. This paper is concentrated intendedly in a study of actual conditions of the way they sing the falk songs, rather than focusing adoption of the falk songs into Chinese poetry. In this study, the way of singing the falk songs in the Late Choseon Dynasty recorded in collections of works, it is divided into Nongga, namely, farmer's song and Choga, namely, woodman's song, and set forth. Then the way of falk song singing comes to appear in three assortments, that is, Seonhuchang (leading and following in singing), Gyowhanchang (alternate singing), and Houongchang (singing to each other). Thus it is conformed that there is a considerable difference in the form between of falk songs in the later period of Choseon Dynasty and of those existing today. Therefore, it can be said that a new approaching method of study on falk song is now ready for being introduced in any time.