『大韓民報』 시조에 나타난 계몽기 시가의 전환과 대응 양상⑴ -매체 변화와 내용 특성을 중심으로-

Abstract

The aim of this paper is to understand the aspects of Modernizing Enlightenment Period's Sijo in its entirety, in early 20th century when we've gone through the turn of the mode of Sijo. So I inquire the characteristic and meaning of Sijo works of 『DaeHanMinBo』. The results are as follow. Sijo works of 『DaeHanMinBo』 lead a reaction and a sympathy of the receivers with reflecting the issue. It is possible to participate in the actual problem and reveal a critical sense and to express a recognition about civilization and liberty lyrically by creating Sijo works. Some attempts to make best use of old Sijo and acculturate traditional motifs to the purpose appear vividly in Sijo works of 『DaeHanMinBo』. In contrast to earlier times, Sijo works in newspaper prefers a one-sided and direct form with separating production from enjoyment. It is one of the form which brings understanding and communicating between an originator and a receiver easily. The works those stand on the senses of Enlightenment Period and configurate internal depth of the individual person placed in that situation can be a differentiating point that is to lead the receives. Because it is impossible to satisfy the reader's expectation to Sijo only with agitative slogan or exhibition of ideology. The process that Sijo works of 『DaeHanMinBo』 pursue both the issue orientation and literariness orientation is, the method to persuade the masses according to a sudden turn of internal and external affairs, and the counter-method to manage the roles of the times by transforming the traditional mode to an evolutive course. It is also a dynamic groping which tries to find a harmony between lyricism and ideology with maintaining a tension from familiar mode and new consciousness. As a consequence, it could be an important foundation and stimulation about modern poem as well as modern Sijo that had to be reborn as poésie from song.