조선후기 가사의 복합적 성격 규정 고찰

Abstract

The purpose of this thesis is to prepare a basis for discussion related to the definition of genre identity of Ga-sa by examining the complex characteristics of Ga-sa in the late Jo-seon Dynasty. In this paper, based on the existing research on the characteristics of Ga-sa in the late Jo-seon Dynasty, the research method was divided into three layers: class in charge, content, and form of expression. Through these works, it was possible to confirm the cause of the complex expression of the characteristics of the Ga-sa of the late Jo-seon Dynasty as follows. First, the dominant thematic style in the late Jo-seon dynasty is the result of the expression of polyphonic desires of the various people in charge, which formed a factor in which the types of Ga-sa works were diversified according to the movement to seek a new driving force for change. The expression of these polyphonic desires can be confirmed in Ga-sa works using dialogues and Gyu-bang[閨房] Ga-sa and the result is the result of promoting creation and transmission based on the literacy acquired through a certain education. Second, the separation and combination by paragraph of the Ga-sa for reality criticism and the Ga-sa for travelling is the result of the expression of the artist's consciousness to record various related contents through various sanctions in one work. In this way, the Ga-sa of the late Jo-seon Dynasty strengthen the recordability to strengthen the realism and sense of presence, and in terms of content, the separation of individual paragraphs according to the changes in time and space and thematic integration are pursued. Third, Ga-sa works that take customs and social conditions as their main sanctions are directed toward narratives with the reader in mind the convenience and efficiency of reading by using an expression form that lists specific facts or objects in consideration of a rhyme suitable for reading. In addition, the Ga-sa of the epics of the late Jo-seon Dynasty also have a character close to reading. This allows the reader to empathize by indirectly experiencing the author's realistic story embodied in the work and acquire a sense of identity with the author, which is embodied by arousing sympathy or compassion in the reader through the author's meticulous records. Through the above factors, it can be said that the Ga-sa of the late Jo-seon Dynasty expanded to the realm of reading, sympathy, and sharing by the public. In addition, it can be said that it was inherited even to the Ga-sa works of the modern enlightenment, and it could be said that it showed an aspect closer to reading material thanks to the appearance and enjoyment of the media.