한국과 베트남의 중국팔경 수용 양상 고찰

Abstract

Korea and Vietnam are similar in that they enjoyed the culture of Eight Views and have their own culture of Eight Views as members of Chinese letters-based Oriental civilization. The differences between them derived from differences in the ways that they enjoyed the Eight Views of China: while Korea was conceptual, Vietnam was based on experiences. This study set out to examine similarities and differences in the culture of Eight Views between Korea and Vietnam based on the numbers, forms, names, and content of Eight Views of China they enjoyed including Eight Views of Xiao Xiang and Eight Views of Beijing in Korea and Eight Views of Xiao Xiang(Yangsang) and Eight Views of Oju in Vietnam. As for the numbers of Eight Views, both the nations had Eight Views basically and underwent satellization. Eight Views became part of 20 Sus in Yeongyeong, Chadugongbujinjuisipsu in Korea and 100 Sus in Sosangbaekyeong in Vietnam. As for the forms of Eight Views, Korea generally allocated a Su to a View with some cases of condensing each View into a poem of a couple of Sus. In Vietnam, condensation became intense with some Views omitted. As for the names of Eight Views, there were no changes to the titles of Eight Views of Xiao Xiang and Eight Views of Beijing in Korea, whereas they changed the titles and even subtitles in Vietnam. As for the content of Eight Views, Vietnam was different from Korea, depicting the authors' feelings rather than the landscapes. The differences in the patterns of enjoying the Eight Views of China between Korea and Vietnam are attributed to the field experiences with the Eight Views. The differences also derive from the characteristics of Korea's culture of Eight Views whose example is the Chinese culture of Eight Views around Eight Views of Xiao Xiang.