1970년대 『創作과 批評』의 韓龍雲論에 담긴 비평전략

Abstract

The purpose of this paper is to investigate the strategies of Creations and Criticisms(Changbi)’s identity building depend on works of Han Yong-un(Han) a poet in colonial period. Changbi, was founded in 1966, published many articles on Han during certain times. The citizen literary theory was a first article focusing on Han’s greatness written by Baek Nak-cheong(Baek) was the chief editor in Changbi. In this article, Baek emphasized that the contemporary literature should aim to facing up to the reality. And then he picked up Han’s works as a model must be expected to the contemporary. Because according to Baek, Han was a greatest poet, an independence activist, and a high minded Buddhist monk all at once. So from 1969 to 1972 Changbi published not only literary criticism on Han but also Han’s non-literal essay showing his political and religious achievement. These serial programs were could Changbi’s intentional strategies for three aims. First, Changbi could gain a stepping stone to join the foreign theory and local text. These serial criticisms on Han in Changbi were an example of success using Realism criticism theory Changbi translated constantly during the late 1960s. Secondly, this point of view started to provide the standard of criticism on the text in colonial period. And it was a starting point of the national literature criticism formulated in the mid-1970s by Changbi. Lastly, with that as a start Changbi introduced the Buddhist discourse actively as a traditional nationalism idea, just like previous reception of Shil-hak in the late Joseon Dynasty. In conclusion, Changbi concentrated his attention on the unification appeared in Han’s whole works so that they can build up their own identity toward the nationalism ideology.