한국의 고대 악무 연구를 위한 일본의 궁중 악무 고찰-고마가쿠(高麗楽)의 고구려계 악무와 그 성격을 중심으로

Abstract

In ancient times, Komagaku led the royal culture as cutting-edge advanced music and dance in Japan. Also, what takes up the largest part of Komagaku was the music and dance of Goguryeo origin. Thus, this study investigated music and dance of Goguryeo origin, focusing on the literature records and discussed their nature and characteristics. What are classified as those of Goguryeo origin currently include seven pieces, Daisotoku, Shinsotoku, Komaboko, Komainu, Komaryu, Tyoboraku, and Kikkan. It is judged that these musical pieces at the time further increased the Japanese people’s cultural needs as characteristic masks, splendid costumes/motions, and implications were added as well as playing various instruments. Moreover, as a result of an analysis of the seven pieces of music and dance of Goguryeo origin, they had three characteristics of internationality, exorcism, and historicality, and singularities. Ancient Korean music and dance attracted many people’s attention, forming Korean Wave (Hallyu) in East Asia beyond the Korean Peninsula. Nevertheless, today, studies of them remain stationary without being able to achieve territorial expansion, for the studies are beset with difficulties since few records are remaining. Therefore, the discussion on Komagaku, which can be said to be a reality of the ancient Hallyu would play a positive role in the studies of ancient music and dance on the Korean Peninsula.