고대 일본의 高麗樂에 대한 기초 연구

Abstract

Komagaku music which was formed on the base of transmitted music from the Three Kingdoms and the Balhae is one of the ancient Japanese dance music which is called 'right direction music'. On the other hand, the left direction music which is paired with the Komagaku music is called 'Tougaku music'. Tougaku music was formed on the base of transmitted music from the China, Imeup(林邑), and India. The 38 melodies of the Komagaku music such as 'Sintoriso(新鳥蘇)' has handed down in various music book such as 'Kyoukunshyou(敎訓抄)' and dictionary books such as 'Oeamyeongruchooecho(倭名類聚抄)'. Komagaku music had been formed step by step. In the first period of the 10th century, the Komagaku music synthesised Kudaragaku(百濟樂), Shiragigaku(新羅樂), and Botsukaigaku(渤海樂). During the period from the middle of the 10th century which was the Murakami Tennou(村上天皇) term to the end of the 10th century which was the Itsuzhyou Tennou(一條天皇) term, the double system of the left and right direction music was established. Among the Komagaku music, Komaboku(狛鉾), Komainu(狛犬), Komaryou(高麗龍), Kikan(吉簡), Zhyoubouraku(長保樂), Ayagiri(阿夜岐理), Dai-Sinsotoku(退-進走德) were conjectured as transmitted music from Koguryeo. Ounintei(王仁庭) and Sinsoriko(進蘇利古) were conjectured as they came from Baekje. Nasori(納蘇利), Sosimari(蘇志摩利), and Takuboku(啄木) were conjectured as they came from Shilla. Sinmaka(新靺鞨) was conjectured as it transmitted from Balhae. Four musics such as 'Engiraku(延喜樂)' were self-made music at Japan. And the origin of the rest music was not known. In special consideration, musics from the Three Kingdoms such as Dai-Sinsotoku, Zhoubouraku, Kikan, Nasori, Sosimari, Kitoku(歸德侯), Gonronhatsusen(崑崙八仙), and Chikiu(地久) were originally transmitted from the Western regions.