容齋 李荇 律詩의 轉折 構成 樣相

Abstract

Literary works are used as a means of effectively conveying the author's main ideas and feelings. Accordingly, in the creative process of literary works, how to form the content is as crucial as what content to convey. Yongjae Lee-Haeng's poetry is characterized by a close correspondence between each term, sentence, or paragraph. Thus, this article, focusing on the vestibular section of Lee-Haeng's metrical poem, examines the inherent composition technique of his poetry and its poetic effects. First, the anaphoric structure repeats the homogeneous poetic meaning of hamryun and kyungryun in the form of correlating the upper line and the lower line of hamryun and kyungryun respectively. Here, Miryun, basing on the poetic meaning illuminated by repetition, expresses the content equivalent to a conclusion or result, or repeats the poetic meaning again to emphasize the subject. Secondly, the chain structure is a form in which a connection between the lower line of hamryun and the upper line of kyungryun is created. In the chain structure, the poetic implication continues in expressing thoughts and feelings by the medium that creates the connection. In this way, multiple poetic implications organize the poetic meaning jointly, basing on which miryun develops. Third, the cross-link structure is a form in which the upper line of hamryun connects suryun, and the lower line of hamryun leads to kyungryun. In this structure, one semantic paragraph is formed from suryun to the upper line of hamryun, and another semantic paragraph is formed from the lower line of hamryun to kyungryun. Consequently, the composition of the work could be simplified into a response between semantic paragraphs to illuminate the poetic meaning, through which miryun immediately conveys immediately the subject by synthesizing the previous poetic implications.