挹翠軒 朴誾 律詩의 承接과 轉折의 양상

Abstract

In this study, we looked at the aspects and characteristics of Development and Turn, which appeared in the metrical poems of Eupchihun Bak-Eun. Eupchihun's poems are said to be well harmonized, with many still reciting the sorrow of not being recognized in the conciliation, the loneliness of longing for friends, the experience and freedom of life, and his poems are "Rigorous", "Tough and strong", "Naturalness", the Emotional and the Situations are in perfect harmony. These feelings of admiration for Eupchihun's Chinese poems are expressed not only through the overall meaning of poetry, but in terms of the composition of the poem, especially in the linkage techniques(Development) of The first, second couplet of the metrical poem, and the transition techniques(Turn) of the second, third couplet of the metrical poem. The first, second couplet of Eupchihun's metrical poem is often based on the speaker's experience to develop the means of poetry, which is also show the speaker's experience's downstream movement. It can be termed as a method of "Cohesion and Coherence(一氣到底)", by which emotions are continuously exuded by the poet's "Excitement(興)" without blocking the means of poetry and mixing the scenery description. The method of "Cohesion and Coherence" can significantly indicate the continuity of the presentation with a simultaneous development of it in detail. And the other way around is "Set the question(設疑)". In order to overcome the monotony of the "Tu Chun-che(偸春體)", the first, second, third couplet of the metrical poem, questions are captured in the second couplet. By doing so, it can make changes in the "Tu Chun-che" that is prone to monotony and clearly reveal its fresh aesthetics and emphasis. In addition, the metrical poem's Turn in the second, third couplet are always used the method of "Turn from scenery to scenery(境境轉)", and "Turn from emotion to scenery(情境轉)". The scenery description of the second, third couplet's "Turn from scenery to scenery" is a meticulous method of eye-catching, which creates treatment through a double-sense experience, or allows dynamic and stationary objects to be placed on the same. The meticulous arrangement of the scenery description highlights the three-dimensional nature of the scenery, increases the sense of flow and ensures a good harmony between dynamics and Static things. And "Turn from emotion to scenery" shows a characteristic that extends the emotion and highlights the natural beauty of the award transition. Research in terms of such the second, third couplet's Development and Turn, impulses, has yet to establish a specific methodology. However, more specific research is needed because it is important in the study of the literary characteristics of Chinese poetry. In this regard, the purpose of the study was to raise specific aspects and characteristics of Introduction, Development, Turn, Conclusion in Eupchihun's metrical poem.