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이육사(李陸史)의 쉬즈모(徐志摩) 시(詩) 번역의 양상― 시창작이 번역에 미친 영향

Translation of Xu zhimo(徐志摩)’s Poem by Lee Yuksa(李陸史): Influence of Poetry Creation on Poetry Translation

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Lee Yuksa(李陸史) translated Xu Zhimo(徐志摩)’s “Worship(拜獻)” and “Saying Good-bye to Cambridge Again(再別康橋)” into Korean in 1941. We should recreate a new poetic language and ‘rhyme and tone’ in translations that emphasize the poetic concept and can reproduce the poetic echo of the original poem. This is for the purpose of achieving the poetic completeness of the translation. Lee Yuksa was more conscious of the fact that the translation of poetry can not be made equal. He does not stay in the translations of word for word but attempts to re-create new poetic language and ‘rhyme and tone’ in the translation language system. Based on the poetic concept, Lee Yuksa’s translations of Xu Zhimo’s poetry is an example of a poetry translation that pursues poetic completeness through the process of re-creation.

Abstract

Lee Yuksa(李陸史) translated Xu Zhimo(徐志摩)’s “Worship(拜獻)” and “Saying Good-bye to Cambridge Again(再別康橋)” into Korean in 1941. We should recreate a new poetic language and ‘rhyme and tone’ in translations that emphasize the poetic concept and can reproduce the poetic echo of the original poem. This is for the purpose of achieving the poetic completeness of the translation. Lee Yuksa was more conscious of the fact that the translation of poetry can not be made equal. He does not stay in the translations of word for word but attempts to re-create new poetic language and ‘rhyme and tone’ in the translation language system. Based on the poetic concept, Lee Yuksa’s translations of Xu Zhimo’s poetry is an example of a poetry translation that pursues poetic completeness through the process of re-creation.

참고문헌 (19)

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  3. 김소월, "김소월전집" (1996), 서울대학교출판부
  4. 金億, "김억 평론선집" (2015), 지식을 만드는 지식
  5. 丁來東, "丁來東全集 2" (1971), 金剛出版社
  6. 홍석표, "루쉰과 근대 한국" (2017), 이화여자대학교출판문화원
  7. 丁來東, "中國 新詩壇의 彗星 ‘徐志摩’를 弔함(上)", 東亞日報, ~ (1931)
  8. 丁來東, "海外文學 硏究者의 任務(一)", 東亞日報, ~ (1933)
  9. 丁來東, "中國文人 印象記(4): 精密⋅堅忍⋅謙讓하고 終始一如한 周作人氏", 東亞日報, ~ (1935)
  10. 魯迅, "朝光" (1936)
  11. 丁來東, "支那新作家集 夜哨線", 人文評論 (1939)
  12. 徐志摩, "「偶然」, 「新支那文學特輯――支那 新詩壇」, 「三千里」", ~ (1940)
  13. 裵澔, "支那文學의 特質", 人文評論 (1940)
  14. 魯夫, "開市大吉(支那短篇)", 人文評論 (1940)
  15. "現代支那詩抄", 人文評論, ~ (1941)
  16. 李陸史, "中國 現代詩의 一斷面", 春秋 (1941)
  17. 李陸史, "잃어진 故鄕(‘작고 시인들의 미발표 유고집’)", 주간 서울, ~ (1949)
  18. 沈元燮, "이육사의 서지마(徐志摩)시 수용 양상", 우리文學硏究, 6-7 (1988)
  19. 이시활, "근대성의 궤적: 이육사의 중국문학 수용과 변용", 동북아 문화연구, 1(30), pp.81~104 (2012), 동북아시아문화학회[DOI]

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