고려인 공연예술 단체의 독립 이후의 활동과 민족 정체성

Abstract

This article focuses on the activities of performing arts groups after the independence of the Goryeo people in Central Asia. It is a field-oriented approach to their communal character and national identity. This article examines the activities and repertoire of professional and non-professional performing arts organizations. Therefore, as a minority, we examined how to solve artistic desires and national identity through performing arts. As the cultural center of the Goryeo people, the Goryeo Theater took Korean classical works as its main repertoire. Professional arts groups perform traditional dances from both North and South Korea. Non-professional art groups are mainly in their 60s or older. And they mainly do chorus and dance with them. Their repertoire adds recent popular elements to traditional Korean works. In particular, they are learning their native language through songs in Korean. And they are forming a community through ties while competing among performing groups. And they are not closed-minded and receptive to other cultures and popular cultures. They have the characteristics of a pluralistic minority group that adapts to the mainstream society while maintaining their national identity.