조선후기 「放歌行」 창작과 남인 「방가행」의 특징

Abstract

“Banggaheng” (放歌行) originated as a title of Han Dynasty yuefu (樂府) poetry. In China, it was continuously composed from the Western Jin period by Fu Xuan (傅玄) through the Northern and Southern Dynasties, and further into the Tang and Song Dynasties. In Joseon Korea, its composition began with poets such as Shin Heum (申欽) and Heo Gyun (許筠) and saw around 20 works produced during the late Joseon period. The Banggaheng works of late Joseon primarily reflect an exuberant enjoyment of nature, transcendence of secular values, and a detached outlook. As the period progressed, the themes became more diverse, with a notable focus on pessimism regarding an unfortunate fate and reflections on unrecognized talents. Among these, the Banggaheng of the Namin faction particularly expressed, in various ways, their sense of helplessness as a political group excluded from power and unable to participate actively in state affairs. As a yuefu genre, Banggaheng evolved with its own tradition in China, and it was introduced to Joseon through the broader interest in classical Chinese poetry. It became a suitable vehicle for the Namin faction to articulate their sorrows and frustrations, showcasing how the genre was adapted to reflect their unique experiences and emotions.