움직이는 그림, 애니메이션을 다시 생각하기
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This article starts the difference between film and animation. Its purpose is to rethink an animation’s phenomenology as a moving picture. I differentiate the film from animation in nature of each other. The former produces an ‘illusion of reality’, the latter gives an ‘illusion of life’. Film is basically based on the photographic realism, while animation on the pictorial deformation of reality like a drawing or a cartoon. So we might say that film concerns the death instinct, Thanatos, and animation the life instinct, Eros. The article’s ultimate aim is to establish the philosophical foundation of animation by clarifying its phantasmagoric but unique nature. At last, the period of kino-eye passes away that of kino-brush is coming soon.
Abstract
This article starts the difference between film and animation. Its purpose is to rethink an animation’s phenomenology as a moving picture. I differentiate the film from animation in nature of each other. The former produces an ‘illusion of reality’, the latter gives an ‘illusion of life’. Film is basically based on the photographic realism, while animation on the pictorial deformation of reality like a drawing or a cartoon. So we might say that film concerns the death instinct, Thanatos, and animation the life instinct, Eros. The article’s ultimate aim is to establish the philosophical foundation of animation by clarifying its phantasmagoric but unique nature. At last, the period of kino-eye passes away that of kino-brush is coming soon.
참고문헌 (11)
- Rey Chow, "Film and cultural identity’ in Film Studies-critical approaches" (2000), Oxford University Press
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- 도널드 크래프턴, "속임수 영화와 애니메이션 , 제프리 노엘－스미스 편, 옥스퍼드 세계영화사" (2005), 열린책들
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- 피터 월렌, "영화의 기호와 의미" (1990), 영화진흥공사
- 성완경, "세계만화탐사" (2001), 생각의 나무
- 베르나르 제넹, "애니메이션" (2007), 이화여자대학교 출판부
- 24번의 죽음, "1초에", pp.2007, 로라 멀비
- 레프 마노비치, "뉴 미디어의 언어" (2007), 생각의 나무