들뢰즈의 씨네마톨로지: 이미지의 발생과 소멸
Deleuzian Cinematology: The Emergence and Extinction of Image
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Deleuzian cinematology can be defined as a symptomatological history of universal movement and time encompassing both material and spiritual fields of image, demonstrating the process of emergence, formation, transformation, fusion, differentiation, and extinction of all kinds of image-beings. This paper describes the entire process from emergence, through other various operations, to extinction of image, mainly with focus on the Deleuzian and Bergsonian theory of image. Moreover, it compares their image-related ontology with the phenomenological perspectives, and exemplifies the ways and procedures of effacing the images which Samuel Beckett did in his film.
Abstract
Deleuzian cinematology can be defined as a symptomatological history of universal movement and time encompassing both material and spiritual fields of image, demonstrating the process of emergence, formation, transformation, fusion, differentiation, and extinction of all kinds of image-beings. This paper describes the entire process from emergence, through other various operations, to extinction of image, mainly with focus on the Deleuzian and Bergsonian theory of image. Moreover, it compares their image-related ontology with the phenomenological perspectives, and exemplifies the ways and procedures of effacing the images which Samuel Beckett did in his film.
참고문헌 (11)
- Deleuze, Gilles, "Le Bergsonisme" (1968), Presses Universitaires de France
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- Deleuze, Gilles, "CinemaII: The Time-Image" (1994), U of Minnesota P
- Deleuze, Gilles, "Essays : critical and clinical" (1997), U of Minnesota P
- Beckett, Samuel, "Screenplay. Film", United States, ~ (1965)
- Bergson, Henri, "Creative Evolution" (1944), Random House
- Bergson, Henri, "Matter and Memory" (1950), George Allen & Unwin LTD
- Mearleau-Ponty, Moris, "Phenomenology of Perception" (1978), Routhledge & Kegan Paul
- Sartre, Jean-Paul, "Huis Clos" (2000), Gallimard