미완의 타임슬립, 미끄러진 현실 ― 영화 ＜상견니＞에 관한 일 고찰

Abstract

Media narratives about transcending time often have a desire to break up linear flow of time and the laws of the causal world. In particular, the development of the story and events in such a way that the characters try to remedy the inadequacies of the present by time-slipping into the past time and space prominently reveals the characteristics of timeless narratives. This is because the experimental aspect of the character to explore and destroy the correlation between certain causes in the past and the current reality is ejected. This paper believes that the time slip motif is an important device for revealing the characteristics and meaning of the time transcendent narrative, and explores the reconstruction of the time of the movie Someday or One Day, which has recently been deeply imprinted by the domestic and foreign public. The characters in Someday or One Day try to change the past and rebuild the present through a layered time slip, but in the process, they realize that the time of me and the other person exists differently and that the present self and the past self are not made of consistent desires. This Someday or One Day time-slip narrative emphasizes that the factors that can change the present ironically arise from trivial causes in the present, suggesting that the authenticity of timeless narratives can be pursued as a representation of faithfulness to reality.