조선후기 『花潭集』 刊行의 推移와 徐敬德 學問
Trends and character of the publication of Hwadam-Jip(花潭集) in the late Joseon Dynasty
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In this article, I investigated the circumstances in Seo-Gyungduk(徐敬德)’s book Hwadam-Jip(花潭集) published in Korea several times, focusing on composition of publications, publishers and publication period. Hwadam-Jip was published five times by the end of the 18th century when it was published for the first time after Seo-Gyungduk’s Death. Personality in the book, word composition method, contents of recording, publishing place, publisher, etc. have changed every time. Initial publication was led by Seo-Gyungduk's disciples and the people connected with them, and later publications were led by scholars in the Gaesong(開成) area. Such a change is deeply related to the declining of northern scholars, growth of the Gaesong region scholarship. The paper of this time is the minimum navigation for Hwadam-Jip publication which lasted five times. From the 19th century, how was the evaluation of Seo-Gyungduk in the academic and cultural world of Gaeseong, how Hwadam-Jip was utilized, and how such evaluation and utilization had power I would like to set aside a future task.
Abstract
In this article, I investigated the circumstances in Seo-Gyungduk(徐敬德)’s book Hwadam-Jip(花潭集) published in Korea several times, focusing on composition of publications, publishers and publication period. Hwadam-Jip was published five times by the end of the 18th century when it was published for the first time after Seo-Gyungduk’s Death. Personality in the book, word composition method, contents of recording, publishing place, publisher, etc. have changed every time. Initial publication was led by Seo-Gyungduk's disciples and the people connected with them, and later publications were led by scholars in the Gaesong(開成) area. Such a change is deeply related to the declining of northern scholars, growth of the Gaesong region scholarship. The paper of this time is the minimum navigation for Hwadam-Jip publication which lasted five times. From the 19th century, how was the evaluation of Seo-Gyungduk in the academic and cultural world of Gaeseong, how Hwadam-Jip was utilized, and how such evaluation and utilization had power I would like to set aside a future task.
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