咸攝 漢字音의 韓日比較硏究

Abstract

This study is one of the comparative study of the Sino-Korean and Sino-Japanese. I analyze how Chinese sound is reflected in ancient Korean and ancient Japanese and consider whether both have what relevance. I try Specially to investigate the relevance of Sino-Korean in the formation of Sino Japanese Go-on. In this paper, we focus on ‘Yunjing’ represent asyste- m of Ancient Chinese. Using 咸攝(Xian Shie) of Chinese sound is one of rhyme classification system of Yunjing in 16Shie, I investigate the problem and cause, has become many controversy, of the ‘1等·2等 overlapped notes’ and use the sound of Sino-Korean and ‘Sino Japanese Go-on’as a clue. Then I reconstruct phonetic value is different from other Chinese character notes. Summarizing the research results, it is as follows. (1)‘Xian Shie’s sound of Ancient Chinese major vowel is /-ə/, and it had been phonologically changed from Archaic Chinese’s part of /ɑ․o․ɯ/ systems though, the system have established to ‘談韻’ and /o․ɯ/ systems has established to ‘覃韻’. (2)‘覃韻’ in ‘Sino-Japanese Go-on’ is reflected in the former Six Dynasties era’s Chinese note in the form of ‘-オム’ and ‘ᄋᆞᆷ/ʌm/, 읍/ɯp/' of the Sino-Korean is also reflect same Chinese era’s note. I measure that should be treated ‘음/ɯm/’ in a phonetic value is appropriate and it is estimated that affect to formation of Go-on. (3) 覃韻 is presumed to be changed like *[ɯ](Archaic era)→ *[ʊ](Eastern Han’s era)→[ə](Six Dynasties’s era, Mid-era) during Archaic era~Ancient era and ‘-オ/-o/’, ‘ᄋᆞ/ʌ/’, ‘으/ɯ/’ which of the middle Sino of the Joseon’s Korean reflected /ʊ/ note.