본문 바로가기
KERD
논문KCI 등재

가와바타 야스나리의 ‘삽화소설’ 고찰 - 「흐드러지게 피는 꽃」을 통해보는 문학과 미술의 교류 -

A Study on ‘an Illustration Novel’ by Kawabata Yasunari - Exchange between Literature and Art Viewed through Sakikisou Hana -

0

조회

0

다운로드

0

인용

0

참고문헌

키워드

주제분류일본어와문학

초록

This paper studiesthe exchange between, and fusion of, literature and art targeting Sakikisou Hanaby Kawabata Yasunari. This work was published serially in 1924 to 1925 assuming a format called <an illustration novel> and the present paper focuses on it. It is judged that Kawabata considered illustrations in creative poems because he knew Sakikisou Hanawould be published as ‘the illustration novel.’ His consideration is shown as simple contents. It is thought that he set simple contents to supplement ‘interruption’ phenomena due to much used illustrations and divided pages. Second, each chapter was titled so that readers could guess the contents. The illustrations explained the contents of the novel or showed the psychological description of the characters with pictures and played a role of cuts of movies as the contents are connected in their entirety by them. In conclusion, the novel that considered the illustrations and the illustrations for the novel make a change with each other in this work in the name of a genre called an illustration novel. That is, there is an interruption of the novel by the illustrations, but the role of the pictures that considered the format and contents of the novel by the writer and supplement it creates an exquisite fusion.

Abstract

This paper studiesthe exchange between, and fusion of, literature and art targeting Sakikisou Hanaby Kawabata Yasunari. This work was published serially in 1924 to 1925 assuming a format called <an illustration novel> and the present paper focuses on it. It is judged that Kawabata considered illustrations in creative poems because he knew Sakikisou Hanawould be published as ‘the illustration novel.’ His consideration is shown as simple contents. It is thought that he set simple contents to supplement ‘interruption’ phenomena due to much used illustrations and divided pages. Second, each chapter was titled so that readers could guess the contents. The illustrations explained the contents of the novel or showed the psychological description of the characters with pictures and played a role of cuts of movies as the contents are connected in their entirety by them. In conclusion, the novel that considered the illustrations and the illustrations for the novel make a change with each other in this work in the name of a genre called an illustration novel. That is, there is an interruption of the novel by the illustrations, but the role of the pictures that considered the format and contents of the novel by the writer and supplement it creates an exquisite fusion.

참고문헌 (16)

  1. 공성수, "소설과 삽화의 예술사 : 한국 근대소설의 형성과 소설 삽화", pp.11~13 (2020), 소명출판
  2. 川端康成, "川端康成全集 第一九巻", pp.499~551 (1999), 新潮社
  3. 川端康成, "咲き競ふ花", 婦女界, 30(1), pp.17~45 (1924), 婦女界社
  4. 川端康成, "川端康成全集第二十八巻", pp.63~ (1999), 新潮社
  5. 川端康成, "川端康成全集第33巻", pp.330~ (1999), 新潮社
  6. 川端文学研究会, "論集川端康成ー掌の小説", pp.300~308 (1999), おうふう
  7. 紅野謙介, "岩波講座 文学2 メディアの力学", pp.149~165 (2002), 岩波書店
  8. 小林芳仁, "美と仏教と児童文学と-川端康成の世界-", pp.14~ (1985), 双文社出版
  9. 鄭香在, "川端康成の?招魂祭一景?論 -映?性を中心に-", 일어일문학연구, 44, pp.233~250 (2003), 한국일어일문학회
  10. 匠秀夫, "近代日本の美術と文学-明治大正昭和の挿絵-", pp.333~340 (1979), 木耳社
  11. 果由美, "論集昭和期の泉鏡花", pp.78~ (1998), おうふう
  12. 長谷川泉, "川端文学の機構", pp.157~ (1984), 教育出版センター
  13. 野村昭子, "川端康成全作品研究事典", pp.163~ (1998), 勉誠出版
  14. 林武志, "鑑賞日本現代文学15川端康成", pp.15~18 (1982), 角川書店
  15. 原善, "『<新批評・近代日本文学の構造8>新構想近代日本文学史(下)", pp.255~ (1991), 図書刊行会
  16. "도쿄문화재연구소 홈페이지"[URL]

관련 논문AI추천

이 간행물의 다른 논문 (22건)