『竹取物語』에서『源氏物語』로 - 모노가타리 논리를 중심으로 -

Abstract

This study attempts to disambiguate the motif of marriage refusal which is proposed as an ideal image of women inside Kaguyahime. The image of Kaguyahime refusing the offers of marriage has been projected on female characters in Genji-monogatari, strengthening the male privilege and concealing the marital reality of women in the dynastic period. First, the study confirms a resonance between the monogatari logic, the monogatari theory of Genji, and the author Murasaki Sikibu’s literary ideas, through an examination of limitations in past work on images and analyses of actual examples of Taketori-monogatari used inside Genji-monogatari. Specifically, focussing on how Taketori-monogatari was quoted inside the Genji-monogatari text, the article analyses differences in image citation and monogatari citation. Second, through an emphasis on the flow of monogatari, the study examines and further analyses how quotation is used in the chapter Eawase, which states Taketori- monogatari as the progenitor of all monogatari works. The antique manner resonates with the contemporary, connecting the past (古 huru) and present (今 ima) to express the significance of the reality. Finally, through Genji-monogatari’s remark of Taketori-monogatari, this study identifies the meanings of the antique manner of Suetsumuhana, which is mainly portrayed in the chapter Yomogihu. Specifically focussing on the use of Ganyagami, this study traces the antique manner of Suetsumuhana, Hikaru’s derision and contradiction, and the aspect of how these two subvert the image of Kaguyahime. Overall, the article provides significant in-depth research on quotations of Taketori- monogatari inside Genji-monogatari.