다큐멘터리와 극영화의 스타일적 경계에 관한 연구 <Looking For My Brother>의 제작과 분석을 중심으로
A study on the stylistic boundary between Documentaries and Fiction Movies: Centering on making and analyzing <Looking For My Brother>
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The aim of this article is to see the difference between documentaries and fiction movies, especially to find the effects of documentary editing style by making a short movie <Looking For My Brother>. This movie was edited in two different ways, a documentary and a fiction. Lots of efforts have been done for the aesthetic researches to find the style of documentary and fiction movie. But it was rare to verify the disputed points by making a movie till now. Even though it looks like a documentary, <Looking For My Brother> is a fiction movie because we can see professional actors in it. The reason that fiction movies tend to borrow cinematic techniques from documentary is to improve reality in movies. I think that it's not so important whether any movie is a documentary or not. The point is what styles are being used for making good movies. Filmmakers are the people who obsessively modulate their styles to create their own visions. As Gombrich has observed, sometimes new and improved style are the results from pure artistic passion that satisfies themselves who overpass his colleagues.
Abstract
The aim of this article is to see the difference between documentaries and fiction movies, especially to find the effects of documentary editing style by making a short movie <Looking For My Brother>. This movie was edited in two different ways, a documentary and a fiction. Lots of efforts have been done for the aesthetic researches to find the style of documentary and fiction movie. But it was rare to verify the disputed points by making a movie till now. Even though it looks like a documentary, <Looking For My Brother> is a fiction movie because we can see professional actors in it. The reason that fiction movies tend to borrow cinematic techniques from documentary is to improve reality in movies. I think that it's not so important whether any movie is a documentary or not. The point is what styles are being used for making good movies. Filmmakers are the people who obsessively modulate their styles to create their own visions. As Gombrich has observed, sometimes new and improved style are the results from pure artistic passion that satisfies themselves who overpass his colleagues.