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진실 재현을 위한 다큐멘터리의 스토리텔링 전략* 46) -<경계도시>와 <경계도시 2>를 중심으로-

A Strategy for Documentary Storytelling* 20) -<Border City> & <Border City 2>-

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초록

Documentary is a discursive formation, presenting first-hand experience and fact by creating a rhetoric of immediacy and ‘truth’, using photographic technology. Documentary is also recognized as being a very engaged sort of film. <Border City> & <Border City 2> were about prof Song Doo-Ul, who had denied entry into Seoul Korea for 37 years and Seoul Korea which has been a dogmatic society. These have the ‘two-track’s strategy for the story-telling. One was about the professor and the other was situation of filmmaking. The strategy for storytelling was in turn strive for the balance of subjectivity and objectivity and, in the exact distinction between reality and the truth. <Border City> & <Border City 2> tried to represent ‘truth’ in that silly situation. I applaud this achievement despite of poor Koreans Independent documentary production situation.

Abstract

Documentary is a discursive formation, presenting first-hand experience and fact by creating a rhetoric of immediacy and ‘truth’, using photographic technology. Documentary is also recognized as being a very engaged sort of film. <Border City> & <Border City 2> were about prof Song Doo-Ul, who had denied entry into Seoul Korea for 37 years and Seoul Korea which has been a dogmatic society. These have the ‘two-track’s strategy for the story-telling. One was about the professor and the other was situation of filmmaking. The strategy for storytelling was in turn strive for the balance of subjectivity and objectivity and, in the exact distinction between reality and the truth. <Border City> & <Border City 2> tried to represent ‘truth’ in that silly situation. I applaud this achievement despite of poor Koreans Independent documentary production situation.

참고문헌 (11)

  1. 남인, "한국 독립 다큐멘터리 영화의 재현 양식 연구", 박사, pp.2004
  2. 송두율, "미완의 귀향과 그 이후" (2007), 후마니타스
  3. 레비거, 마이클, "다큐멘터리 만들기" (2010), 비즈앤비즈
  4. 바누, 에릭, "세계 다큐멘터리 영화사" (2000), 다락방
  5. 양기석, "다큐멘터리 스토리텔링" (2009), 커뮤니케이션북스
  6. 김계중, "다큐멘터리의 새로운 역사" (2011), 비즈앤비즈
  7. Bruzzi, Stella, "New Documentary" (2006), Routledge
  8. Chanan, Michael, "The Politics of Documentary" (2007), BFI
  9. Chapman, Jane, "Issues in Contemporary Documentary" (2009), polity
  10. NIchols, Bill, "Introduction to Documentary" (2001), Indiana University Press
  11. Spence, Louise, "Crafting Truth" (2011), Rutgers Univ Press

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