다큐멘터리 리얼리즘의 사운드 미학

Abstract

Recent domestic documentaries are producing various issues such as social, political, cultural and artistic issues, and these documentaries are increasingly being introduced into theaters rather than television. For this reason, they lost their ability to function as their own journalism for many years, and journalists are no longer on TV, but they are now moving into cinemas, And the public became sympathetic to their story, and finally the popularity of the documentary film went up. These documentary films have created a new language called ‘movie journalism’ and received much public attention. As a result, the documentary is devoid of the perception that it is the only thing of television broadcasting, and now it has created a genre called movie journalism documentary film which is recognized as a movie. Documentary shows the development of narrative different from general film or drama. Because the difference between the portrayal of our imagination and the documentary that reproduces our reality is evident, the sound elements expressed in such expressionism and realism can be different, and the way the sound is expressed can also be different. This study examines the difference between these sound productions and shows how sound is expressed in documentary realism. I will also look at the role of voice-over narration in TV documentaries and the auditory elements that distinguish narration from documentary films and how documentary films can express the truth of stories. In addition, the documentary will conclude this study by exploring the difference between the existing broadcasting sound production method and the movie sound production method, while advancing to the film now, suggesting an improved documentary film sound production method.