TV 다큐멘터리 영상 구성의 변화에 관한 연구 - 영상 재현 방법을 중심으로 -

Abstract

This study aims at in-depth analysis of the method of image expression about the representation of documentaries. Particularly it focuses on intensively analyzing how the method of the representation of image expression becomes different depending on the period, types and visual skill of documentary. And this study tried to examine the flow of the tendency of producing documentary from 1980s to 2000s through this analysis. And on the basis of the results, it also confirms the limitation TV documentary had in the past and intends to help represent the image of new documentaries that will be produced in th future. This study chose 6 TV documentaries for analysis that had been broadcast from 1986 to 2007 by employing the quantitative and qualitative methods, that is, 2 works of each period of 1980s, 1990s and 2000s. The result of this study shows that there has been a huge change in the method of image expression for the representation of TV documentary for the last 20 years. It was also revealed in this study that recently the efforts to achieve the truth and the authenticity of documentary through more witnesses and interviews with the experts and the will to produce creative image cuts through various image components had been higher. It gives more senses of tension to the viewers through frequent change of sequence and scene in the image cuts and curtailment of the length of image for a cut. It also shows that more complicated and stimulating visual skills have been introduced through slow and stop motion of image cut and the increase and emphasis on the number of letter. Besides it was confirmed that there was a difference between history documentary and current events documentary through narrative analysis. It can be concluded that while realism image was regarded as important in the past, lately the pattern of expressionism image has been more emphasized. And it can be also said through this study that the method of the representation of participatory mode and reflexive mode has been more introduced than expository mode and observational mode in producing documentary. Now it is required that the birth of TV documentary measuring up to the expectation of the viewers out of the stereotyped practice of image expression of the past will be fulfilled.